One of the problems of genre studies is the issue of blending genres with each other, or hybridization, which generally refers to the combination of different genres in one work. Regardless of the discussion of the nature of the genre, how the genres are combined and connected together in films has become a serious challenge for research in this field. But since, firstly, the theoretical studies about the genre are widely ranging and full of ups and downs, and secondly, the inquiries conducted on the issue of hybridization or hybrid genres are scarce, the study in this field are always associated with many problems. Accordingly, the following research aims to investigate the combination of genres with a critical approach, by the library research method and in a descriptive and analytical way, and by delivering the problem of the genre and the hybridization of genre to a logical-cognitive-linguistic discussion, paying attention to the problem of genre hybridization and in an effort to find the answer to, firstly, what is the genre and secondly, what does generic hybridization mean, to present a proposed model for the evaluation of combination and hybridization in films. Theoretical frame of this research is based on the linguistic views of Wittgenstein and Ferege’s New Logic.  The results show that while there is still room for further research and the current one needs additional and wider studies, but the application of the linguistic-logical model of categorical entanglement can reveal some hidden aspects of the problem and open up other possibilities for evaluating films in film studies, which were ignored from the perspective of some other approaches.