Abbasi, Hamed A ComprehensiveLiterary and Dramatic Macro-Features in the Imam Reza's Ta'zia Composed by Rajaee Zafrae (Based on the University of Tehran Edition No. 11002) [(Articles in Press)]
Abdolkarimi, Bojan The Relation of Salvation in Art and the Danger of Technology from Heidegger’s Philosophical Perspective (Case Study: Steven Spielberg’s Duel) [Volume 5, Issue 18, 2026, Pages 91-102]
Aboutorabian, Golbarg Farabi’s Philosophy of Art and the Possibility of Evaluating Cinematic Works Based on Rational-Moral Perfection [Volume 5, Issue 17, 2025, Pages 51-62]
Aَghai, Seyyed Nasser Genealogical Interpretation of the Ritual Origin of the Art of Performance
(With emphasis on similarity of performance and dance components with sammacheh) [Volume 2, Issue 6, 2023, Pages 21-36]
Aghajamali, Behzad The Everyday Life of the First Pahlavi Period with the Mediation of Drama [Volume 3, Issue 8, 2023, Pages 7-18]
Aghajamali, Behzad A Neo-Historicist Study of the Representation of History and Power in the Works of Grigor Yeghikyan (Case Study: “Anushirvan the Just and Mazdak” and “The War of East and West”) [Volume 5, Issue 16, 2025, Pages 51-66]
Ahmadi, Parisa The representation of death in the play "The Man Who Turned into a Stick" by Kubo Abe is based on the philosophy of the Kyoto school [Volume 2, Issue 5, 2022, Pages 65-80]
Ahvar, Hamed Comparative Study on Narrative Actants in The Pilgrim (Amjad) and Catcher in the Rye novel (Salinger) by focusing On Greimas actantial model [Volume 4, Issue 11, 2025, Pages 57-69]
Ajourloo, Ehsan The role of memory in the construction of history and the formation of society in the historical drama of the first Pahlavi era based on the views of Paul Ricoeur [Volume 2, Issue 3, 2022, Pages 33-45]
Akhavan, Parisa Study of Hassan Nayerzadeh Nouri's teaching abilities with the help of Iranian Theater based on Henry Giroux [Volume 1, Issue 1, 2022, Pages 57-63]
Amir Arjmandi, Nazanin The Representation of the Conceptual Metaphor ‘Life as a Journey’ in Kiarostami’s Films (Case Study: “Where Is the Friend’s House?” “Life, and Nothing More,” and “Through the Olive Trees”) [Volume 5, Issue 16, 2025, Pages 93-104]
Amirian Doost, Shahrokh Genealogical Interpretation of the Ritual Origin of the Art of Performance
(With emphasis on similarity of performance and dance components with sammacheh) [Volume 2, Issue 6, 2023, Pages 21-36]
Amir Shah Karami, Najmedin Structural Components of Two-Dimensional Experimental Animation in The Mad, Mad, Mad World (1974) Nour Eddin Zarrin-Kelk [Volume 2, Issue 5, 2022, Pages 37-49]
Anoosha, Hadi An Analysis of the Relationship Between the Aesthetic Politics of Jacques Rancière and Post-dramatic Theatre [Volume 5, Issue 17, 2025, Pages 63-74]
Ansari, Maryam The Moral Potentials of Narrative Film in Cultivating Moral Skills: About Elly (2009) as a Case of Cinematic Moral Pedagogy [Volume 5, Issue 17, 2025, Pages 7-23]
Aref, Mohammad Applying Improvisation in the Performance of Azerbaijani Ashiqs Based on Richard Schechner’s Performance Theory [Volume 5, Issue 18, 2026, Pages 21-34]
Asadi, Behzad The Crisis of Meaning in Neoliberal Societies from Byung-Chul Han’s Perspective: A Study of The Matrix Film [(Articles in Press)]
Asgarikia, Farshad A study of the representation of religious minorities in Iranian cinema after the Islamic Revolution based on the views of Stuart Hall [Volume 2, Issue 4, 2022, Pages 49-58]
Asgari Kia, Farshad How Afghans are represented in Iranian cinema based on the views of Stuart Hall [Volume 1, Issue 1, 2022, Pages 55-62]
Askari, Fatemeh An Archetypal Analysis of Female Images in Elizabeth Cary’s “The Tragedy of Mariam” Based on the Theories of Lesley Ferris [Volume 5, Issue 18, 2026, Pages 51-62]
Azimifard, Fatemeh The Representation of the Conceptual Metaphor ‘Life as a Journey’ in Kiarostami’s Films (Case Study: “Where Is the Friend’s House?” “Life, and Nothing More,” and “Through the Olive Trees”) [Volume 5, Issue 16, 2025, Pages 93-104]
Azizi, Alireza The Function of Hybrid Genres in Crisis Cinema (A Critical Study of Three Selected Iranian Films During the COVID-19 Era, 2020–2023) [Volume 5, Issue 15, 2025, Pages 67-78]
B
Bayat, Mojtaba An Alternative Collective Memory: V-effect in Kiarostami’s Ghazieh-e Shekl-e Aval, Ghazieh-e Shekl-e Douwom (First Case, Second Case, 1979) [Volume 4, Issue 12, 2024, Pages 21-33]
Behrouz, Amirhossein Analyzing the Reasons for the Absence of an Independent Film Field in the Hollywood System [Volume 3, Issue 9, 2024, Pages 7-20]
Beytuie, Sara The Redistribution of The Sensible in Jean Genet’s Artworks Based on Jacques Rancière’s Theory - Case Study: “The Blacks” [Volume 2, Issue 6, 2023, Pages 75-87]
Brinkman, Eric The Comparative Study of Three Adaptations of Mem and Zin Based on Linda Hutcheon’s Theories (Case Study: Man, Khani, and Ilchi) [Volume 5, Issue 15, 2025, Pages 45-56]
C
Chavoshvar, Mehdi An Analysis of Dissident Discourse in Superhero Films After the Events of September 11 Based on Alan Seinfeld’s Theory of Faultlines [Volume 4, Issue 14, 2025, Pages 73-86]
Chawshini, Abdollah Examining signs of absurdism from the pragmatic study of language usage in the play Guldan by Bahman Forsi. [Volume 3, Issue 7, 2023, Pages 75-85]
D
Darabi, Maryam The Subject’s rupture from the signifying chain within the Psychotic Structure: A Lacanian reading of Amir Naderi’s Requiem (1978) [(Articles in Press)]
Darban, Sepehr Mithos Northrop Fry's theory in the analysis of the script of the days of life [Volume 1, Issue 2, 2022, Pages 69-78]
Dargahi, Pardis A Comparative Study of Music as a Narrative Tool in Musical Animations (Case Study: “Rira's Tales” and “Esme and Roy”) [Volume 5, Issue 16, 2025, Pages 67-91]
Darvishi, Sara An Examination of Psychological Defense Mechanisms in the Play, From Behind the Glasses, by Akbar Radi, Based on the Views of Sigmund Freud [Volume 3, Issue 9, 2024, Pages 65-78]
Dastguerd, Esmaeil The Relation of Salvation in Art and the Danger of Technology from Heidegger’s Philosophical Perspective (Case Study: Steven Spielberg’s Duel) [Volume 5, Issue 18, 2026, Pages 91-102]
Davodi Roknabadi, Abolfazl Applying Improvisation in the Performance of Azerbaijani Ashiqs Based on Richard Schechner’s Performance Theory [Volume 5, Issue 18, 2026, Pages 21-34]
Dehghani, Farshad A Comparative Study of Adorno’s Culture Industry and Herman–Chomsky’s Propaganda Model in the Content Critique of the Film “Watching This Film Is a Crime” [Volume 5, Issue 16, 2025, Pages 7-19]
Dibaj, Amir hossein Study of sequence elements and information transfer in the narrative structure of the works of "Hamid Amjad" and "Mohammad Yaghoubi" from the perspective of "Manfred Fister" [Volume 1, Issue 2, 2022, Pages 89-106]
Doregiraei, Nastaran The Field of Vision as a Realm of Power; Representation of Police Surveillance Mechanisms in the Modern Metropolis (Case Study: The Devil’s Day (1994) and The Devil’s Hand (1981)) [Volume 5, Issue 15, 2025, Pages 17-30]
E
Emaminiya, Alireza The Representation of the Hero in Iranian and Western War Cinema: A Case Study of Characterization in The Situation of Mehdi and Saving Private Ryan [Volume 5, Issue 17, 2025, Pages 75-86]
Esfandiari, Shahab Ta’ziyeh techniques, a way to De-Westernizing in the Films of Abbas Kiarostami [Volume 2, Issue 3, 2022, Pages 19-32]
Eskandari, Fatemeh A study of the manifestations of cosmopolitan thought in cinema:Case Studies: Le Havre and Code inconnu [Volume 1, Issue 1, 2022, Pages 7-13]
Eslami, Shahla Film as a Sensory Being: A Phenomenological Reconsideration of the Viewer’s Experience in The Turin Horse [(Articles in Press)]
F
Fahimifar, Asghar Power of the Gazing Eyes: Cinema as a Means of Modern Surveillance [Volume 3, Issue 10, 2024, Pages 77-92]
Fahimifar, Asghar The Disguise of Performers in the Ritual Play of Shabih (Ta’ziyeh) [Volume 4, Issue 13, 2024, Pages 7-21]
Fahimifar, Asghar Experiencing Simulated Realities؛ A Reading of Parallel Based on Jean Baudrillard's Theories [(Articles in Press)]
Farahani, mohamad javad Comparative Study of the Function of Signs in Photography and Cinema Based on Roland Barthes’ Views (Case Study: Photos From “Camera Lucida” and Scenes From the Film “Inside the Yellow Cocoon Shell”) [Volume 3, Issue 8, 2023, Pages 55-68]
Fathollahi, Hosein A Neo-Historicist Study of the Representation of History and Power in the Works of Grigor Yeghikyan (Case Study: “Anushirvan the Just and Mazdak” and “The War of East and West”) [Volume 5, Issue 16, 2025, Pages 51-66]
G
Ghadyani, Mahdi Ekphrasis in Iranian Postmodern Cinema with an Eco-Semiotic Approach (Case Study: Farhadi’s Film “The Salesman”) [Volume 5, Issue 15, 2025, Pages 31-43]
Ghaedi, Siavash Proportion in Architecture and Its Transformation in Puppet Theater Stage Design; Focusing on the Embodied Experience of Space in the Phenomenological Theories of Steven Holl [Volume 4, Issue 14, 2025, Pages 2-12]
Gharehdaghi, Farnaz Studying Asghar Farhadi’s Films Based on Gérard Genette’s Theory of Transtextuality: An Analysis of About Elly and The Salesman [Volume 4, Issue 12, 2024, Pages 45-60]
Ghasempour, Akram Study of Hassan Nayerzadeh Nouri's teaching abilities with the help of Iranian Theater based on Henry Giroux [Volume 1, Issue 1, 2022, Pages 57-63]
Ghasempour, Akram The representation of death in the play "The Man Who Turned into a Stick" by Kubo Abe is based on the philosophy of the Kyoto school [Volume 2, Issue 5, 2022, Pages 65-80]
Ghasempour, Akram The Impact of Improvisation in Creative Play on the Development of Children’s Inquiry [Volume 4, Issue 13, 2024, Pages 39-50]
Ghassemi, Saied Representation of the Wandering Character in Nuri Bilge Ceylan’s 2023 Film About Dry Grasses, Emphasizing Place Through Walter Benjamin’s Perspectives [Volume 3, Issue 9, 2024, Pages 49-64]
Gholamali, Asadollah Analysis of the character of Oedipus in the play Oedipus the Prince based on the views of Vladimir Prop [Volume 1, Issue 1, 2022, Pages 91-97]
Ghosi, Neda The Impact of Stage and Costume Design on Creating Mutual Reception Between Performers and Audiences in Iranian Postmodern Plays (Case Study: Mulla Nasreddin Play) [Volume 4, Issue 14, 2025, Pages 37-51]
H
Hajhashemi, Samira Structural Components of Two-Dimensional Experimental Animation in The Mad, Mad, Mad World (1974) Nour Eddin Zarrin-Kelk [Volume 2, Issue 5, 2022, Pages 37-49]
Haji Mollaali, Ali Theatre, Permitted Transgression: Investigating theater as a liberating and consolidating rite in society based on Victor Turner's views [Volume 2, Issue 6, 2023, Pages 65-74]
Hashemi, Mohammad Mithos Northrop Fry's theory in the analysis of the script of the days of life [Volume 1, Issue 2, 2022, Pages 69-78]
Hashemi, Mohammad The Redistribution of The Sensible in Jean Genet’s Artworks Based on Jacques Rancière’s Theory - Case Study: “The Blacks” [Volume 2, Issue 6, 2023, Pages 75-87]
Hemmati, Ehsan The Image of Refusal and Stasis in The Man Without a Past: A Theoretical Reexamination of Gilles Deleuze’s Image Theory in Aki Kaurismäki’s Cinema [(Articles in Press)]
Hemmati, Ehsan Farabi’s Philosophy of Art and the Possibility of Evaluating Cinematic Works Based on Rational-Moral Perfection [Volume 5, Issue 17, 2025, Pages 51-62]
Heydari, Hosein Studying Asghar Farhadi’s Films Based on Gérard Genette’s Theory of Transtextuality: An Analysis of About Elly and The Salesman [Volume 4, Issue 12, 2024, Pages 45-60]
Hoanaee, Mohammad reza The role of new cinema in the legitimacy of Humanism [Volume 2, Issue 3, 2022, Pages 7-17]
Hoanaee, Mohammad reza Revisiting the Boundaries Between Live-Action and Animation: A Case Study of Five Successful Directors in Both Domains [Volume 4, Issue 11, 2025, Pages 7-16]
Hoseini, Masoume Sadat Study on Narrative Structure of Contemporary Myth in Marvel Heroes, Focusing on Avenger Series [Volume 2, Issue 4, 2022, Pages 71-81]
Hosseini, Seyyed Emad Ta’ziyeh techniques, a way to De-Westernizing in the Films of Abbas Kiarostami [Volume 2, Issue 3, 2022, Pages 19-32]
Hosseinifar, Tannaz Sadat Analysis of the Components of “Double Colonialism” in the Play “A Doll’s House” Written by Tanika Gupta Based on Spivak’s Arguments [Volume 3, Issue 8, 2023, Pages 19-31]
Hosseini Shakib, Hasti Representation of the Wandering Character in Nuri Bilge Ceylan’s 2023 Film About Dry Grasses, Emphasizing Place Through Walter Benjamin’s Perspectives [Volume 3, Issue 9, 2024, Pages 49-64]
Hosseynzadeh hosseyni, Seyyedmahdi The Analysis of Montage Patterns in the Story of Prophet Moses (PBUH) in the Holy Quran [Volume 4, Issue 12, 2024, Pages 7-20]
Houshidari Fard, Fatemeh Analysis of folklore elements in Hassan Shirvani's plays, With Focus on the Association of Khorous Jangi’s Opinions [Volume 1, Issue 2, 2022, Pages 79-88]
J
Jalalipour, Bahram The Narrative Structure of Attar's Manteghotteir and some Considerations on its Dramatic Adaptation [Volume 2, Issue 4, 2022, Pages 23-36]
Jalalipour, Bahram Fantasy in Ardeshir Keshavarzi’s theater (Focusing on Hasan and Khanum Hana) [Volume 3, Issue 7, 2023, Pages 51-61]
Jalalipour, Bahram An Ever-Unrealizable Hamlet (A Comparative Study of Textual Worlds in the Plays Hamlet and Hamletmachine Based on Cognitive Poetics) [Volume 5, Issue 16, 2025, Pages 33-50]
Javid Sabaghian, Meqdad Religious and Ritualistic Aspects of Greek Tragedy: The Importance of Initial Texts and Contexts [Volume 4, Issue 11, 2025, Pages 31-42]
K
Karami, Mohsen The Moral Potentials of Narrative Film in Cultivating Moral Skills: About Elly (2009) as a Case of Cinematic Moral Pedagogy [Volume 5, Issue 17, 2025, Pages 7-23]
KarkukiOsguei, Nastaran Nostalgic Myth – Making in the Representation of Iranian Traditions in the Film A Cub of sugar [Volume 5, Issue 18, 2026, Pages 75-89]
Khani, Minoo The Image of Refusal and Stasis in The Man Without a Past: A Theoretical Reexamination of Gilles Deleuze’s Image Theory in Aki Kaurismäki’s Cinema [(Articles in Press)]
Khani Tari, Shayesteh Rereading the history of painting through the cinema of Roy Anderson [Volume 2, Issue 6, 2023, Pages 53-64]
Khany, Minoo Ekphrasis in Iranian Postmodern Cinema with an Eco-Semiotic Approach (Case Study: Farhadi’s Film “The Salesman”) [Volume 5, Issue 15, 2025, Pages 31-43]
Khojir, Yousef How Afghans are represented in Iranian cinema based on the views of Stuart Hall [Volume 1, Issue 1, 2022, Pages 55-62]
Khoshshans, Saeidreza Deconstructing Aristotle's Ideal Plot in the Thirteenth Section of the Poetics in Relation to Hamartia and Entitlement [(Articles in Press)]
Khosraviyani, Mahdiyeh A comparative study of the themes and Contents of the holy books in the adaptations of cinematic animation
Case Study: The Prince of Egypt and Elephant King Animation [Volume 2, Issue 3, 2022, Pages 47-64]
Kianian, Majid A Comparative Study of Death and Birth Patterns in the Popular Culture of Iranian People and Their Function in Iranian Dramatic Literature (After the Revolution) [Volume 3, Issue 8, 2023, Pages 43-54]
Kianian, Majid Comparative Study on Narrative Actants in The Pilgrim (Amjad) and Catcher in the Rye novel (Salinger) by focusing On Greimas actantial model [Volume 4, Issue 11, 2025, Pages 57-69]
Koopal, Ataollah The Impact of Possibilities and Methods of Representing Reality on Social Identity in Documentary Theatre by Examining the Works of Peter Weiss [Volume 3, Issue 10, 2024, Pages 23-33]
Koopal, Ataollah Ousmane Sembène’s Cinema: An Anti-colonial Perspective in the Film Mandabi [Volume 5, Issue 16, 2025, Pages 21-31]
Kupal, Ataollah Philosophical and comparative analysis of power discourse in ancient Greek tragedies and epic stories of Ferdowsi's Shahnameh based on the ideas of Michel Foucault [Volume 3, Issue 7, 2023, Pages 7-21]
L
Laleh, Abdolhossein The Place of Painting in Parajanov’s Cinema with an Emphasis on the Film “The Color of Pomegranate” [Volume 5, Issue 18, 2026, Pages 35-49]
Lavasani, Saeed The Relation of Salvation in Art and the Danger of Technology from Heidegger’s Philosophical Perspective (Case Study: Steven Spielberg’s Duel) [Volume 5, Issue 18, 2026, Pages 91-102]
M
Maani, rezvane The Adaptation and Meaning in Intermedial Transfer: A Semiotic Analysis of Shahab Hosseini’s Residents of Nowhere Based on Éric-Emmanuel Schmitt’s Hotel of Two Worlds [Volume 4, Issue 12, 2024, Pages 77-91]
Maani, rezvane Experiencing Simulated Realities؛ A Reading of Parallel Based on Jean Baudrillard's Theories [(Articles in Press)]
Mahmoodi, Baharak Representation of "Food" In Iranian Cinema [Volume 2, Issue 3, 2022, Pages 65-79]
Mahmoodi-Bakhtiari, Behrooz An Analysis of the Concept of “Distance” and Types of Expression in Dramatic Dialogue, from the Perspective of Gerard Genet's Narratology: A Study of Florian Zeller’s L’envers du décor [Volume 1, Issue 1, 2022, Pages 15-26]
Malekian, Nazanin Nostalgic Myth – Making in the Representation of Iranian Traditions in the Film A Cub of sugar [Volume 5, Issue 18, 2026, Pages 75-89]
Marasy, Mohsen A Comparative Study of Adorno’s Culture Industry and Herman–Chomsky’s Propaganda Model in the Content Critique of the Film “Watching This Film Is a Crime” [Volume 5, Issue 16, 2025, Pages 7-19]
Mashhadi Rahman, Amir A Study of Cognitive Theories in Audience Perceptions of Imagination Based on the Opinions of David Bordwell and Gregory Curry [Volume 2, Issue 3, 2022, Pages 81-96]
Masouri, Shokoufeh Analysis of folklore elements in Hassan Shirvani's plays, With Focus on the Association of Khorous Jangi’s Opinions [Volume 1, Issue 2, 2022, Pages 79-88]
Massoudi, Shiva The contribution of artists to the establishment of Private Theatre in Iran with a focus on The second Pahlavi period [Volume 2, Issue 6, 2023, Pages 37-51]
Moafi Ghaffari, Farzad Study of sequence elements and information transfer in the narrative structure of the works of "Hamid Amjad" and "Mohammad Yaghoubi" from the perspective of "Manfred Fister" [Volume 1, Issue 2, 2022, Pages 89-106]
Moayerifar, Farshid The Subjective Aesthetics of Experimental Animation in the Transition from Modernism to Pop Art, Based on the Theoretical Views of John Dewey [Volume 5, Issue 17, 2025, Pages 37-50]
Moghadas, Arsalan Structural Components of Two-Dimensional Experimental Animation in The Mad, Mad, Mad World (1974) Nour Eddin Zarrin-Kelk [Volume 2, Issue 5, 2022, Pages 37-49]
Mohandespour, Farhad An Alternative Collective Memory: V-effect in Kiarostami’s Ghazieh-e Shekl-e Aval, Ghazieh-e Shekl-e Douwom (First Case, Second Case, 1979) [Volume 4, Issue 12, 2024, Pages 21-33]
Mohanespour, Farhad Proportion in Architecture and Its Transformation in Puppet Theater Stage Design; Focusing on the Embodied Experience of Space in the Phenomenological Theories of Steven Holl [Volume 4, Issue 14, 2025, Pages 2-12]
Mohebbi, Parastoo A Study of the Concept of Trauerspiel by Walter Benjamin in Plays "the Death of Yazdgerd " by Bahram Beizai and "Sleep in an Empty Cup" by Naghmeh Samini [Volume 1, Issue 2, 2022, Pages 39-51]
Moinaddini, Mohammad Rereading the history of painting through the cinema of Roy Anderson [Volume 2, Issue 6, 2023, Pages 53-64]
Momen, Ariobarzan Film as a Sensory Being: A Phenomenological Reconsideration of the Viewer’s Experience in The Turin Horse [(Articles in Press)]
Montazer Zohour, Amir Reza A Comparative Study of Characterization in the Films Seven and The Sinners with a Focus on the Seven Deadly Sins [Volume 3, Issue 7, 2023, Pages 63-74]
Montazer Zohour, Amir Reza A Comparative Study of the Antagonist in the Animated Films Puss in Boots 1 and Puss in Boots 2 [Volume 4, Issue 11, 2025, Pages 17-29]
Moosavi, Vahid A. A Critical Approach to the Aesthetic and Functional Theories of Genre in Cinema [Volume 1, Issue 2, 2022, Pages 25-38]
Moradi, Mohammad A ComprehensiveLiterary and Dramatic Macro-Features in the Imam Reza's Ta'zia Composed by Rajaee Zafrae (Based on the University of Tehran Edition No. 11002) [(Articles in Press)]
Moradian, Seyed Mostafa Proportion in Architecture and Its Transformation in Puppet Theater Stage Design; Focusing on the Embodied Experience of Space in the Phenomenological Theories of Steven Holl [Volume 4, Issue 14, 2025, Pages 2-12]
Mosavi, Vahidolla The Use of Olfaction in Cinema: The Impact of Scent on Sensory Experience and Audience Satisfaction [Volume 4, Issue 12, 2024, Pages 35-43]
Mostafavi, Shamsolmolok Philosophical and comparative analysis of power discourse in ancient Greek tragedies and epic stories of Ferdowsi's Shahnameh based on the ideas of Michel Foucault [Volume 3, Issue 7, 2023, Pages 7-21]
Mostafavi, Shamsolmolok Mystical Meaningfulness in the Dramaturgy of the Dramatic Text: A Reading of Gabriel Marcel’s Thought (An Examination of the Play “The Broken World”) [Volume 4, Issue 14, 2025, Pages 19-35]
Motamedi, Ahmadreza Purification and Assimilation analysis of the dramatic situations of Georges Polti in the stories of the Qur'an (examination: the situations of Pursuit, Ambition, Enigma and Rivalry of kin) [Volume 2, Issue 5, 2022, Pages 7-24]
Motamedy, Ahmadreza The Analysis of Montage Patterns in the Story of Prophet Moses (PBUH) in the Holy Quran [Volume 4, Issue 12, 2024, Pages 7-20]
Motamedy, Ahmadreza The Relation of Salvation in Art and the Danger of Technology from Heidegger’s Philosophical Perspective (Case Study: Steven Spielberg’s Duel) [Volume 5, Issue 18, 2026, Pages 91-102]
Mousavi Sameh, Mohadeseh Sadat A study of the representation of religious minorities in Iranian cinema after the Islamic Revolution based on the views of Stuart Hall [Volume 2, Issue 4, 2022, Pages 49-58]
N
Nabian, Pantea Examining signs of absurdism from the pragmatic study of language usage in the play Guldan by Bahman Forsi. [Volume 3, Issue 7, 2023, Pages 75-85]
Naghashzadeh, Masoud Long take as the aesthetic essence of cinematic realism, With a case study of the film The Death of Mr. Lazarescu [Volume 2, Issue 6, 2023, Pages 7-20]
Naghashzadeh, Masoud Audience Taste in Iranian Cinema Based on the Exploration of Main Characters in Popular Comedy Films from 2013-2023 [Volume 3, Issue 10, 2024, Pages 7-22]
Najar, Esmaeil A Comparative Study of Characterization in the Films Seven and The Sinners with a Focus on the Seven Deadly Sins [Volume 3, Issue 7, 2023, Pages 63-74]
Najar, Esmaeil A Comparative Study of the Antagonist in the Animated Films Puss in Boots 1 and Puss in Boots 2 [Volume 4, Issue 11, 2025, Pages 17-29]
Najar, Esmaeil The Comparative Study of Three Adaptations of Mem and Zin Based on Linda Hutcheon’s Theories (Case Study: Man, Khani, and Ilchi) [Volume 5, Issue 15, 2025, Pages 45-56]
Najar, Esmaeil An Archetypal Analysis of Female Images in Elizabeth Cary’s “The Tragedy of Mariam” Based on the Theories of Lesley Ferris [Volume 5, Issue 18, 2026, Pages 51-62]
Najmroshan, Pariya The Function of Digital Makeup in Contemporary Cinema [Volume 2, Issue 5, 2022, Pages 81-96]
Naserbakht, Mohammad Hosein Study of the issue of environment in street performance of the last two decades in iran based on Duvignaud's views [Volume 1, Issue 1, 2022, Pages 39-53]
Nazari, Fatemeh A Representation of Immigrant Identity and the Third Space in Yussef El Guindi’s Theater: A Postcolonial Analysis of “Ten Acrobats in an Amazing Leap of Faith” [Volume 4, Issue 13, 2024, Pages 85-98]
Nazer, Erfan Phenomenology of the concept of presence and absence in the play Verb by Mohammad Rezaei Rad [Volume 2, Issue 3, 2022, Pages 97-108]
Nedaei, Amir Hassan Study on Narrative Structure of Contemporary Myth in Marvel Heroes, Focusing on Avenger Series [Volume 2, Issue 4, 2022, Pages 71-81]
Nemati Anaraki, Davoud Nostalgic Myth – Making in the Representation of Iranian Traditions in the Film A Cub of sugar [Volume 5, Issue 18, 2026, Pages 75-89]
Nematollahi, Javad Power of the Gazing Eyes: Cinema as a Means of Modern Surveillance [Volume 3, Issue 10, 2024, Pages 77-92]
Nezafat, Fereshteh Ousmane Sembène’s Cinema: An Anti-colonial Perspective in the Film Mandabi [Volume 5, Issue 16, 2025, Pages 21-31]
NooriKhajehghiasi, Alireza The Use of Olfaction in Cinema: The Impact of Scent on Sensory Experience and Audience Satisfaction [Volume 4, Issue 12, 2024, Pages 35-43]
Noori Parto, Amir Reza Philosophical and comparative analysis of power discourse in ancient Greek tragedies and epic stories of Ferdowsi's Shahnameh based on the ideas of Michel Foucault [Volume 3, Issue 7, 2023, Pages 7-21]
Noori Parto, Amir Reza Analysis of Types of Violence in the Movies The Salesman and Drown
A study based on the Views of Slavoj Žižek [Volume 4, Issue 11, 2025, Pages 43-56]
Nouri, Farid The Comparative Study of Three Adaptations of Mem and Zin Based on Linda Hutcheon’s Theories (Case Study: Man, Khani, and Ilchi) [Volume 5, Issue 15, 2025, Pages 45-56]
P
Parvanehpour, Majid Religious and Ritualistic Aspects of Greek Tragedy: The Importance of Initial Texts and Contexts [Volume 4, Issue 11, 2025, Pages 31-42]
Parvin Gonabadi, bahram An Examination of the Impact of Plot on the Success of Mehrjui’s Adapted Screenplays (Case Studies: Leila and Maman’s Guest) [Volume 5, Issue 18, 2026, Pages 7-19]
Piravi Vanak, Marzieh Ta’ziyeh techniques, a way to De-Westernizing in the Films of Abbas Kiarostami [Volume 2, Issue 3, 2022, Pages 19-32]
Pourjabali, Robabeh Nostalgic Myth – Making in the Representation of Iranian Traditions in the Film A Cub of sugar [Volume 5, Issue 18, 2026, Pages 75-89]
Pourrashidi Alibigloo, Hatef The Portrayal of Muawiyah in a Historical Series: A Thematic Analysis of Reconstructing a Controversial Figure [Volume 4, Issue 14, 2025, Pages 53-64]
Pouyamanesh, Mahtab The Impact of Possibilities and Methods of Representing Reality on Social Identity in Documentary Theatre by Examining the Works of Peter Weiss [Volume 3, Issue 10, 2024, Pages 23-33]
Pouyan, Ali The Impact of Stage and Costume Design on Creating Mutual Reception Between Performers and Audiences in Iranian Postmodern Plays (Case Study: Mulla Nasreddin Play) [Volume 4, Issue 14, 2025, Pages 37-51]
R
Rahimian-Aki, Hormoz An Examination of the Impact of Plot on the Success of Mehrjui’s Adapted Screenplays (Case Studies: Leila and Maman’s Guest) [Volume 5, Issue 18, 2026, Pages 7-19]
Rangraz, saboureh The Disguise of Performers in the Ritual Play of Shabih (Ta’ziyeh) [Volume 4, Issue 13, 2024, Pages 7-21]
Ravadrad, Azam Cultural consumption of cinema audiences and non-audiences in Iran [Volume 1, Issue 2, 2022, Pages 7-23]
Razizadeh, Ali Analyzing Dramatic Elements in the Life of Martyr Ahmad Kazemi for Adaptation into a TV Screenplay: A Case Study of the Story "A Ladder to Pick Oranges" [Volume 3, Issue 10, 2024, Pages 51-61]
Razizadeh, Ali The Representation of the Hero in Iranian and Western War Cinema: A Case Study of Characterization in The Situation of Mehdi and Saving Private Ryan [Volume 5, Issue 17, 2025, Pages 75-86]
Rohani, Seyed Ali Representation of death in the cinema of the sixties and nineties in Iran, based on the theory of Norbert Elias [Volume 2, Issue 5, 2022, Pages 25-36]
Rouhani, Ali Analyzing the Reasons for the Absence of an Independent Film Field in the Hollywood System [Volume 3, Issue 9, 2024, Pages 7-20]
Rouhani, S.A. The subcultures of the 1990s and how they are parodically represented in the iranian cinema of the 2020s (Case study: Sperm Whale1, confiscaƟon, millipede) [Volume 1, Issue 1, 2022, Pages 27-37]
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Sadollahi, Babak Studying Asghar Farhadi’s Films Based on Gérard Genette’s Theory of Transtextuality: An Analysis of About Elly and The Salesman [Volume 4, Issue 12, 2024, Pages 45-60]
Safavizadeh sohi, Zohreh The Representation of the Conceptual Metaphor ‘Life as a Journey’ in Kiarostami’s Films (Case Study: “Where Is the Friend’s House?” “Life, and Nothing More,” and “Through the Olive Trees”) [Volume 5, Issue 16, 2025, Pages 93-104]
Safoora, Mohammad Ali A comparative study of the themes and Contents of the holy books in the adaptations of cinematic animation
Case Study: The Prince of Egypt and Elephant King Animation [Volume 2, Issue 3, 2022, Pages 47-64]
Safoora, Mohammad Ali A Comparative Study of the Antagonist in the Animated Films Puss in Boots 1 and Puss in Boots 2 [Volume 4, Issue 11, 2025, Pages 17-29]
Saman, AmirAli Deconstructing Aristotle's Ideal Plot in the Thirteenth Section of the Poetics in Relation to Hamartia and Entitlement [(Articles in Press)]
Sarbakhsh, Reza Purification and Assimilation analysis of the dramatic situations of Georges Polti in the stories of the Qur'an (examination: the situations of Pursuit, Ambition, Enigma and Rivalry of kin) [Volume 2, Issue 5, 2022, Pages 7-24]
Sarbakhsh, Reza A Comparative Study of Music as a Narrative Tool in Musical Animations (Case Study: “Rira's Tales” and “Esme and Roy”) [Volume 5, Issue 16, 2025, Pages 67-91]
Sayad, Alireza Power of the Gazing Eyes: Cinema as a Means of Modern Surveillance [Volume 3, Issue 10, 2024, Pages 77-92]
Sayyad, Alireza The Possessed: The Dialectics of Productiveness and Deathliness of Cinematic & Metropolitan Images in the Indians (1978) [Volume 1, Issue 1, 2022, Pages 77-89]
Sayyad, Alireza The Attractions of the Modern Berlin Metropolis and the Emergence of the Weimar Street film genre: A Case Study of the Street (1923) [Volume 2, Issue 5, 2022, Pages 51-63]
Sayyad, Alireza The Field of Vision as a Realm of Power; Representation of Police Surveillance Mechanisms in the Modern Metropolis (Case Study: The Devil’s Day (1994) and The Devil’s Hand (1981)) [Volume 5, Issue 15, 2025, Pages 17-30]
Sayyad, Alireza The Subject’s rupture from the signifying chain within the Psychotic Structure: A Lacanian reading of Amir Naderi’s Requiem (1978) [(Articles in Press)]
Sayyad, Alireza Pahlavi’s Ornamental Modernization: The Image of Woman as the Stage for the Spectacle of Progress (A Comparative Study of Eight Popular Pre Revolutionary Iranian Films, 1953 1979) [(Articles in Press)]
Sepehran, Kamran The role of memory in the construction of history and the formation of society in the historical drama of the first Pahlavi era based on the views of Paul Ricoeur [Volume 2, Issue 3, 2022, Pages 33-45]
Seyyed Abulqasem, Hosseini Zharfa Mystical Meaningfulness in the Dramaturgy of the Dramatic Text: A Reading of Gabriel Marcel’s Thought (An Examination of the Play “The Broken World”) [Volume 4, Issue 14, 2025, Pages 19-35]
SHADANLOU, MARYAM The Place of Painting in Parajanov’s Cinema with an Emphasis on the Film “The Color of Pomegranate” [Volume 5, Issue 18, 2026, Pages 35-49]
Shahba, Mohammad A study of the manifestations of cosmopolitan thought in cinema:Case Studies: Le Havre and Code inconnu [Volume 1, Issue 1, 2022, Pages 7-13]
ShahbaniNoori, MohammadReza The Role of Socio-Cultural Conditions in Writing Short Screenplays in 2010s Iran [Volume 5, Issue 18, 2026, Pages 63-74]
Shahbazi, Ramtin A Study of Cognitive Theories in Audience Perceptions of Imagination Based on the Opinions of David Bordwell and Gregory Curry [Volume 2, Issue 3, 2022, Pages 81-96]
Shahbazi Gharloghi, Ramtin Hypertextual Readings in Scripted Dialogue Writing Based on Pierre Bourdieu’s Power-Oriented Approach [Volume 3, Issue 9, 2024, Pages 37-48]
Shahbazi Gharloghi, Ramtin The Subjective Aesthetics of Experimental Animation in the Transition from Modernism to Pop Art, Based on the Theoretical Views of John Dewey [Volume 5, Issue 17, 2025, Pages 37-50]
Sharifzadeh, Arash Fantasy in Ardeshir Keshavarzi’s theater (Focusing on Hasan and Khanum Hana) [Volume 3, Issue 7, 2023, Pages 51-61]
Shayan, Sana Ta’ziyeh techniques, a way to De-Westernizing in the Films of Abbas Kiarostami [Volume 2, Issue 3, 2022, Pages 19-32]
Shokri, Mohammd Ekphrasis in Iranian Postmodern Cinema with an Eco-Semiotic Approach (Case Study: Farhadi’s Film “The Salesman”) [Volume 5, Issue 15, 2025, Pages 31-43]
Soleimannejad, Sajjad Analyzing Dramatic Elements in the Life of Martyr Ahmad Kazemi for Adaptation into a TV Screenplay: A Case Study of the Story "A Ladder to Pick Oranges" [Volume 3, Issue 10, 2024, Pages 51-61]
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Taghipour Kelidsar, khadijeh The Representation of the Conceptual Metaphor ‘Life as a Journey’ in Kiarostami’s Films (Case Study: “Where Is the Friend’s House?” “Life, and Nothing More,” and “Through the Olive Trees”) [Volume 5, Issue 16, 2025, Pages 93-104]
Taheri, Negin The Everyday Life of the First Pahlavi Period with the Mediation of Drama [Volume 3, Issue 8, 2023, Pages 7-18]
Tarzi, Sahar Character analysis in the legends of Menmendas and Boussalame with the approach of using animation based on Lacan's views [Volume 2, Issue 4, 2022, Pages 37-48]
Tat, J. The subcultures of the 1990s and how they are parodically represented in the iranian cinema of the 2020s (Case study: Sperm Whale1, confiscaƟon, millipede) [Volume 1, Issue 1, 2022, Pages 27-37]
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Vahedi, Hananeh sadat Study mythanalyse and mythography of Iranian culture in identity of national animation
(case study: Gordafarid and Mulan animation) [Volume 1, Issue 2, 2022, Pages 53-68]
Valania, Sara Cinematic humor; Broadness of thought or expansion of mind [Volume 2, Issue 4, 2022, Pages 7-21]
Valipour Gharehghiyeh, Hadi Applying Improvisation in the Performance of Azerbaijani Ashiqs Based on Richard Schechner’s Performance Theory [Volume 5, Issue 18, 2026, Pages 21-34]
Vatankhah, Maryam The Analysis of Montage Patterns in the Story of Prophet Moses (PBUH) in the Holy Quran [Volume 4, Issue 12, 2024, Pages 7-20]
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Wellman, Elizabeth An Archetypal Analysis of Female Images in Elizabeth Cary’s “The Tragedy of Mariam” Based on the Theories of Lesley Ferris [Volume 5, Issue 18, 2026, Pages 51-62]
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Yazdi, Narges An Analysis of the Relationship Between the Aesthetic Politics of Jacques Rancière and Post-dramatic Theatre [Volume 5, Issue 17, 2025, Pages 63-74]
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Zaeri Amirani, Sahar How Afghans are represented in Iranian cinema based on the views of Stuart Hall [Volume 1, Issue 1, 2022, Pages 55-62]
Zandi, Kiyarash Character analysis in the legends of Menmendas and Boussalame with the approach of using animation based on Lacan's views [Volume 2, Issue 4, 2022, Pages 37-48]
Zarei, Kourosh Sacred Art and the Mosque Youth Theater: A Study on Theoretical Foundations and Socio-Cultural Functions [Volume 4, Issue 14, 2025, Pages 65-72]
Zaryabi, Hassan A Comparative Study of Music as a Narrative Tool in Musical Animations (Case Study: “Rira's Tales” and “Esme and Roy”) [Volume 5, Issue 16, 2025, Pages 67-91]
Ziayi-Nezhad, Sepideh An Analysis of the Concept of “Distance” and Types of Expression in Dramatic Dialogue, from the Perspective of Gerard Genet's Narratology: A Study of Florian Zeller’s L’envers du décor [Volume 1, Issue 1, 2022, Pages 15-26]
Zinalabedini, payam Study mythanalyse and mythography of Iranian culture in identity of national animation
(case study: Gordafarid and Mulan animation) [Volume 1, Issue 2, 2022, Pages 53-68]
Zinalabedini, payam The Function of Digital Makeup in Contemporary Cinema [Volume 2, Issue 5, 2022, Pages 81-96]
Zinalabedini, payam Analyzing the Representation of Death in the Animation of the Book of Life Based on the Opinions of Mohammad Taghi Jafari [Volume 3, Issue 9, 2024, Pages 21-35]
Zinalabedini, payam Diaspora Cinema: The Conflict or Interaction of the Filmmaker with National Identity and Globalization [Volume 4, Issue 13, 2024, Pages 51-70]
Zinalabedini, payam Film as a Sensory Being: A Phenomenological Reconsideration of the Viewer’s Experience in The Turin Horse [(Articles in Press)]
Zohrabi, Yasin Diaspora Cinema: The Conflict or Interaction of the Filmmaker with National Identity and Globalization [Volume 4, Issue 13, 2024, Pages 51-70]
