Rahpooye Honar/Performing Arts

Rahpooye Honar/Performing Arts

Rahpooye Honar/Performing Arts

Journal Archive

Most Visited Articles
Genealogical Interpretation of the Ritual Origin of the Art of Performance (With emphasis on similarity of performance and dance components with sammacheh)
Ekphrasis in Iranian Postmodern Cinema with an Eco-Semiotic Approach (Case Study: Farhadi’s Film “The Salesman”)
Analysis of the character of Oedipus in the play Oedipus the Prince based on the views of Vladimir Prop
The Function of Hybrid Genres in Crisis Cinema (A Critical Study of Three Selected Iranian Films During the COVID-19 Era, 2020–2023)
A Critical Approach to the Aesthetic and Functional Theories of Genre in Cinema
The role of new cinema in the legitimacy of Humanism
Structural Components of Two-Dimensional Experimental Animation in The Mad, Mad, Mad World (1974) Nour Eddin Zarrin-Kelk
Current Issue: Volume 5, Issue 18, Winter 2026, Pages 1-130 

Nostalgic Myth – Making in the Representation of Iranian Traditions in the Film A Cub of sugar

Pages 75-89

10.22034/rpa.2025.2069259.1181

Nastaran KarkukiOsguei, Nazanin Malekian, Davoud Nemati Anaraki, Robabeh Pourjabali

Keywords Cloud

  • Cinema
  • Iranian Cinema
  • Adaptation
  • Characterization
  • Animation
  • Representation
  • aesthetics
  • Death
  • popular culture
  • Tragedy
  • The Salesman
  • myth
  • narrative
  • First Pahlavi
  • comparative study
  • Play
  • screenplay
  • Cinematic adaptation
  • Michel Foucault
  • technology
  • Improvisation
  • Capitalism
  • Heidegger
  • Absence
  • Gender
  • Dramaturgy
  • Child
  • Drama
  • Semiotics
  • Walter Benjamin
  • Theatre
  • Globalization
  • deconstruction
  • audience
  • Kiarostami
  • society
  • Subjectivity
  • Neo Formalism
  • Iran
  • About Elly
  • Architecture
  • Pierre Bourdieu
  • discourse of power
  • Form
  • Imagination
  • Islamic Revolution
  • Structuralism
  • Pragmatics
  • Aristotle
  • Violence
  • Dialogue
  • Vladimir Propp
  • music
  • Simulation
  • nothingness
  • Action
  • distance
  • National identity
  • Postcolonialism
  • religious texts
  • Genre
  • Intelligence
  • Tolerance
  • comparative literature
  • Identity
  • Audience Research
  • being
  • Language
  • Morphology
  • hybridization
  • food
  • social factors
  • ideology
  • environment
  • Roland Barthes
  • Stereotyping
  • conceptual metaphor
  • Embodiment
  • Culture
  • epic
  • God
  • Gilles Deleuze
  • Humor
  • thematic analysis
  • Ta\'
  • Interpretive Phenomenology
  • Lakoff and Johnson
  • place
  • episteme
  • mosque
  • Jean Duvignand
  • Henry Giroux
  • Hassan Nayyerzadeh Noori
  • Class
  • The Prosthetic Memories
  • Historical Series
  • Hyperreality
  • Mythos Theory
  • War Cinema
  • Nihilism
  • reality
  • Framing
  • unconscious
  • Cultural Consumption
  • Representation of women
  • Cultural identity
  • theater
  • formalism
  • Critical Analysis
  • Symbolic Capital
  • Derrida
  • Subculture
  • Stuart Hall
  • Philosophy of Art
  • Phenomenology
  • Attar
  • Actantial Model
  • Patriarchy
  • Daily Life
  • Alain Badiou
  • Henri Lefebvre
  • Mass Culture
  • Neoliberalism
  • Highlighting
  • Afghanistan
  • Assimilation
  • peace
  • Surveillance
  • Azerbaijan
  • history
  • September 11
  • City
  • Satire
  • Mysticism
  • Antagonist
  • COVID-19
  • plot
  • sacrifice
  • Digital
  • Questioning
  • Critical Discourse Analysis
  • Greece
  • Quran
  • Humanism
  • Gérard Genette
  • Jacques Lacan
  • Grand theory
  • Antigone
  • Jean Baudrillard
  • presence
  • Ritual
  • Future
  • Cosmopolitanism
  • Naturalization
  • Rituals
  • Social Ties
  • Photography
  • Diaspora
  • Re
  • Pop Art
  • transtextuality
  • parody
  • \"
  • Lacan
  • psychosis
  • Fantasy
  • Foucault
  • Disruption
  • Talent
  • allegory
  • story
  • neurosis
  • archaism
  • gaze
  • localization
  • Intellectual
  • world citizen
  • Genet’s narratology
  • Florian Zeller
  • L’envers du décor
  • street theater
  • Theater Sociology
  • proportion
  • the Oedipus Rex
  • Cognitive
  • border education
  • Shahnameh
  • Iranian drama
  • The Indians (1978)
  • The Possessed by Images
  • holy defense
  • The Dialectics of Productiveness and Deathliness
  • Cinema and the Metropolis
  • Audiences
  • Non-audiences
  • Sacred Defense Cinema
  • comparative studies
  • Northrop Frye
  • Day of life
  • Consensus

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