Rahpooye Honar/Performing Arts

Rahpooye Honar/Performing Arts

Keyword Index
A
  • About Elly The Moral Potentials of Narrative Film in Cultivating Moral Skills: About Elly (2009) as a Case of Cinematic Moral Pedagogy [Volume 5, Issue 17, 2025, Pages 7-23]
  • Adaptation The Comparative Study of Three Adaptations of Mem and Zin Based on Linda Hutcheon’s Theories (Case Study: Man, Khani, and Ilchi) [Volume 5, Issue 15, 2025, Pages 45-56]
  • Adaptation An Examination of the Impact of Plot on the Success of Mehrjui’s Adapted Screenplays (Case Studies: Leila and Maman’s Guest) [Volume 5, Issue 18, 2025, Pages 7-19]
  • Aesthetic Regime An Analysis of the Relationship Between the Aesthetic Politics of Jacques Rancière and Post-dramatic Theatre [Volume 5, Issue 17, 2025, Pages 63-74]
  • African Cinema Ousmane Sembène’s Cinema: An Anti-colonial Perspective in the Film Mandabi [Volume 5, Issue 16, 2025, Pages 21-31]
  • Ahmad Khani The Comparative Study of Three Adaptations of Mem and Zin Based on Linda Hutcheon’s Theories (Case Study: Man, Khani, and Ilchi) [Volume 5, Issue 15, 2025, Pages 45-56]
  • Animation A Comparative Study of Music as a Narrative Tool in Musical Animations (Case Study: “Rira's Tales” and “Esme and Roy”) [Volume 5, Issue 16, 2025, Pages 67-91]
  • Anti-Colonial Cinema Ousmane Sembène’s Cinema: An Anti-colonial Perspective in the Film Mandabi [Volume 5, Issue 16, 2025, Pages 21-31]
  • Armenian Painting The Place of Painting in Parajanov’s Cinema with an Emphasis on the Film “The Color of Pomegranate” [Volume 5, Issue 18, 2025, Pages 35-49]
  • Ashiq Applying Improvisation in the Performance of Azerbaijani Ashiqs Based on Richard Schechner’s Performance Theory [Volume 5, Issue 18, 2025, Pages 21-34]
  • Azerbaijan Applying Improvisation in the Performance of Azerbaijani Ashiqs Based on Richard Schechner’s Performance Theory [Volume 5, Issue 18, 2025, Pages 21-34]
C
  • Characterization An Analysis of the Concept of Basic Anxiety in the Film "Sheeple" Based on Karen Horney's Theories [Volume 5, Issue 15, 2025, Pages 57-66]
  • Characterization The Representation of the Hero in Iranian and Western War Cinema: A Case Study of Characterization in The Situation of Mehdi and Saving Private Ryan [Volume 5, Issue 17, 2025, Pages 75-86]
  • Cinema The Function of Hybrid Genres in Crisis Cinema (A Critical Study of Three Selected Iranian Films During the COVID-19 Era, 2020–2023) [Volume 5, Issue 15, 2025, Pages 67-78]
  • Cinema The Place of Painting in Parajanov’s Cinema with an Emphasis on the Film “The Color of Pomegranate” [Volume 5, Issue 18, 2025, Pages 35-49]
  • Cinema Farabi’s Philosophy of Art and the Possibility of Evaluating Cinematic Works Based on Rational-Moral Perfection [Volume 5, Issue 17, 2025, Pages 51-62]
  • Cinema Nostalgic Myth – Making in the Representation of Iranian Traditions in the Film A Cub of sugar [Volume 5, Issue 18, 2025, Pages 75-89]
  • Cinematic adaptation The Influence of "Artistic" and "Parametric" Narratives from Bordwell’s Neoformalism Perspective in Cinematic Adaptations of Shakespeare’s Plays (Case Study: "Ophelia" by Claude Chabrol and "King Lear" by Jean-Luc Godard) [Volume 5, Issue 15, 2025, Pages 7-15]
  • Cinematic Moral Pedagogy The Moral Potentials of Narrative Film in Cultivating Moral Skills: About Elly (2009) as a Case of Cinematic Moral Pedagogy [Volume 5, Issue 17, 2025, Pages 7-23]
  • Cognitive Poetics An Ever-Unrealizable Hamlet (A Comparative Study of Textual Worlds in the Plays Hamlet and Hamletmachine Based on Cognitive Poetics) [Volume 5, Issue 16, 2025, Pages 33-50]
  • Consensus An Analysis of the Relationship Between the Aesthetic Politics of Jacques Rancière and Post-dramatic Theatre [Volume 5, Issue 17, 2025, Pages 63-74]
  • COVID-19 The Function of Hybrid Genres in Crisis Cinema (A Critical Study of Three Selected Iranian Films During the COVID-19 Era, 2020–2023) [Volume 5, Issue 15, 2025, Pages 67-78]
  • Crisis Narrative The Function of Hybrid Genres in Crisis Cinema (A Critical Study of Three Selected Iranian Films During the COVID-19 Era, 2020–2023) [Volume 5, Issue 15, 2025, Pages 67-78]
  • Cristina Vatulescu The Field of Vision as a Realm of Power; Representation of Police Surveillance Mechanisms in the Modern Metropolis (Case Study: The Devil’s Day (1994) and The Devil’s Hand (1981)) [Volume 5, Issue 15, 2025, Pages 17-30]
  • Critical Analysis The Function of Hybrid Genres in Crisis Cinema (A Critical Study of Three Selected Iranian Films During the COVID-19 Era, 2020–2023) [Volume 5, Issue 15, 2025, Pages 67-78]
  • Critical Individualism The Role of Socio-Cultural Conditions in Writing Short Screenplays in 2010s Iran [Volume 5, Issue 18, 2025, Pages 63-74]
  • Cultivation Approach The Moral Potentials of Narrative Film in Cultivating Moral Skills: About Elly (2009) as a Case of Cinematic Moral Pedagogy [Volume 5, Issue 17, 2025, Pages 7-23]
  • Culture Nostalgic Myth – Making in the Representation of Iranian Traditions in the Film A Cub of sugar [Volume 5, Issue 18, 2025, Pages 75-89]
  • Culture Industry Theory A Comparative Study of Adorno’s Culture Industry and Herman–Chomsky’s Propaganda Model in the Content Critique of the Film “Watching This Film Is a Crime” [Volume 5, Issue 16, 2025, Pages 7-19]
D
  • Dariush Mehrjui An Examination of the Impact of Plot on the Success of Mehrjui’s Adapted Screenplays (Case Studies: Leila and Maman’s Guest) [Volume 5, Issue 18, 2025, Pages 7-19]
  • Disruption An Analysis of the Relationship Between the Aesthetic Politics of Jacques Rancière and Post-dramatic Theatre [Volume 5, Issue 17, 2025, Pages 63-74]
  • Duel The Relation of Salvation in Art and the Danger of Technology from Heidegger’s Philosophical Perspective (Case Study: Steven Spielberg’s Duel) [Volume 5, Issue 18, 2025, Pages 91-102]
E
  • Eco's Semiotics Ekphrasis in Iranian Postmodern Cinema with an Eco-Semiotic Approach (Case Study: Farhadi’s Film “The Salesman”) [Volume 5, Issue 15, 2025, Pages 31-43]
  • Ekphrasis Ekphrasis in Iranian Postmodern Cinema with an Eco-Semiotic Approach (Case Study: Farhadi’s Film “The Salesman”) [Volume 5, Issue 15, 2025, Pages 31-43]
  • Elizabeth Cary An Archetypal Analysis of Female Images in Elizabeth Cary’s “The Tragedy of Mariam” Based on the Theories of Lesley Ferris [Volume 5, Issue 18, 2025, Pages 51-62]
  • Enframing The Relation of Salvation in Art and the Danger of Technology from Heidegger’s Philosophical Perspective (Case Study: Steven Spielberg’s Duel) [Volume 5, Issue 18, 2025, Pages 91-102]
  • Esme & Roy A Comparative Study of Music as a Narrative Tool in Musical Animations (Case Study: “Rira's Tales” and “Esme and Roy”) [Volume 5, Issue 16, 2025, Pages 67-91]
  • Experimental Animation The Subjective Aesthetics of Experimental Animation in the Transition from Modernism to Pop Art, Based on the Theoretical Views of John Dewey [Volume 5, Issue 17, 2025, Pages 37-50]
F
  • FARABI Farabi’s Philosophy of Art and the Possibility of Evaluating Cinematic Works Based on Rational-Moral Perfection [Volume 5, Issue 17, 2025, Pages 51-62]
  • Female Archetypes An Archetypal Analysis of Female Images in Elizabeth Cary’s “The Tragedy of Mariam” Based on the Theories of Lesley Ferris [Volume 5, Issue 18, 2025, Pages 51-62]
  • Female Conflicts An Archetypal Analysis of Female Images in Elizabeth Cary’s “The Tragedy of Mariam” Based on the Theories of Lesley Ferris [Volume 5, Issue 18, 2025, Pages 51-62]
  • Film Critique A Comparative Study of Adorno’s Culture Industry and Herman–Chomsky’s Propaganda Model in the Content Critique of the Film “Watching This Film Is a Crime” [Volume 5, Issue 16, 2025, Pages 7-19]
  • Film Evaluation Farabi’s Philosophy of Art and the Possibility of Evaluating Cinematic Works Based on Rational-Moral Perfection [Volume 5, Issue 17, 2025, Pages 51-62]
  • Folk Tales The Comparative Study of Three Adaptations of Mem and Zin Based on Linda Hutcheon’s Theories (Case Study: Man, Khani, and Ilchi) [Volume 5, Issue 15, 2025, Pages 45-56]
  • Foucault’s Genealogy A Neo-Historicist Study of the Representation of History and Power in the Works of Grigor Yeghikyan (Case Study: “Anushirvan the Just and Mazdak” and “The War of East and West”) [Volume 5, Issue 16, 2025, Pages 51-66]
G
  • Georges Bataille A Comparative Analysis of Sacrifice, Violence, and Myth in the Cinema of Yorgos Lanthimos from the Perspective of Georges Bataille [Volume 5, Issue 17, 2025, Pages 25-35]
  • Grigor Yeghikian A Neo-Historicist Study of the Representation of History and Power in the Works of Grigor Yeghikyan (Case Study: “Anushirvan the Just and Mazdak” and “The War of East and West”) [Volume 5, Issue 16, 2025, Pages 51-66]
H
  • Hamletmachine An Ever-Unrealizable Hamlet (A Comparative Study of Textual Worlds in the Plays Hamlet and Hamletmachine Based on Cognitive Poetics) [Volume 5, Issue 16, 2025, Pages 33-50]
  • Heidegger The Relation of Salvation in Art and the Danger of Technology from Heidegger’s Philosophical Perspective (Case Study: Steven Spielberg’s Duel) [Volume 5, Issue 18, 2025, Pages 91-102]
  • Heiner Müller An Ever-Unrealizable Hamlet (A Comparative Study of Textual Worlds in the Plays Hamlet and Hamletmachine Based on Cognitive Poetics) [Volume 5, Issue 16, 2025, Pages 33-50]
  • Hero Representation The Representation of the Hero in Iranian and Western War Cinema: A Case Study of Characterization in The Situation of Mehdi and Saving Private Ryan [Volume 5, Issue 17, 2025, Pages 75-86]
  • Hybrid Genre The Function of Hybrid Genres in Crisis Cinema (A Critical Study of Three Selected Iranian Films During the COVID-19 Era, 2020–2023) [Volume 5, Issue 15, 2025, Pages 67-78]
I
  • Improvisation Applying Improvisation in the Performance of Azerbaijani Ashiqs Based on Richard Schechner’s Performance Theory [Volume 5, Issue 18, 2025, Pages 21-34]
  • Iranian Cinema The Function of Hybrid Genres in Crisis Cinema (A Critical Study of Three Selected Iranian Films During the COVID-19 Era, 2020–2023) [Volume 5, Issue 15, 2025, Pages 67-78]
  • Iranian Cinema The Role of Socio-Cultural Conditions in Writing Short Screenplays in 2010s Iran [Volume 5, Issue 18, 2025, Pages 63-74]
  • Iranian Postmodern Cinema Ekphrasis in Iranian Postmodern Cinema with an Eco-Semiotic Approach (Case Study: Farhadi’s Film “The Salesman”) [Volume 5, Issue 15, 2025, Pages 31-43]
J
  • John Dewey The Subjective Aesthetics of Experimental Animation in the Transition from Modernism to Pop Art, Based on the Theoretical Views of John Dewey [Volume 5, Issue 17, 2025, Pages 37-50]
K
  • Karen Horney An Analysis of the Concept of Basic Anxiety in the Film "Sheeple" Based on Karen Horney's Theories [Volume 5, Issue 15, 2025, Pages 57-66]
  • Kiarostami The Representation of the Conceptual Metaphor ‘Life as a Journey’ in Kiarostami’s Films (Case Study: “Where Is the Friend’s House?” “Life, and Nothing More,” and “Through the Olive Trees”) [Volume 5, Issue 16, 2025, Pages 93-104]
L
  • Lakoff and Johnson The Representation of the Conceptual Metaphor ‘Life as a Journey’ in Kiarostami’s Films (Case Study: “Where Is the Friend’s House?” “Life, and Nothing More,” and “Through the Olive Trees”) [Volume 5, Issue 16, 2025, Pages 93-104]
  • Lesley Ferris An Archetypal Analysis of Female Images in Elizabeth Cary’s “The Tragedy of Mariam” Based on the Theories of Lesley Ferris [Volume 5, Issue 18, 2025, Pages 51-62]
  • Linda Hutcheon The Comparative Study of Three Adaptations of Mem and Zin Based on Linda Hutcheon’s Theories (Case Study: Man, Khani, and Ilchi) [Volume 5, Issue 15, 2025, Pages 45-56]
  • Linguistic Markers The Representation of the Conceptual Metaphor ‘Life as a Journey’ in Kiarostami’s Films (Case Study: “Where Is the Friend’s House?” “Life, and Nothing More,” and “Through the Olive Trees”) [Volume 5, Issue 16, 2025, Pages 93-104]
M
  • Mandabi Ousmane Sembène’s Cinema: An Anti-colonial Perspective in the Film Mandabi [Volume 5, Issue 16, 2025, Pages 21-31]
  • Mem and Zin The Comparative Study of Three Adaptations of Mem and Zin Based on Linda Hutcheon’s Theories (Case Study: Man, Khani, and Ilchi) [Volume 5, Issue 15, 2025, Pages 45-56]
  • Michel Foucault The Field of Vision as a Realm of Power; Representation of Police Surveillance Mechanisms in the Modern Metropolis (Case Study: The Devil’s Day (1994) and The Devil’s Hand (1981)) [Volume 5, Issue 15, 2025, Pages 17-30]
  • Modernism The Subjective Aesthetics of Experimental Animation in the Transition from Modernism to Pop Art, Based on the Theoretical Views of John Dewey [Volume 5, Issue 17, 2025, Pages 37-50]
  • Moral Skills The Moral Potentials of Narrative Film in Cultivating Moral Skills: About Elly (2009) as a Case of Cinematic Moral Pedagogy [Volume 5, Issue 17, 2025, Pages 7-23]
  • Musical Genre A Comparative Study of Music as a Narrative Tool in Musical Animations (Case Study: “Rira's Tales” and “Esme and Roy”) [Volume 5, Issue 16, 2025, Pages 67-91]
N
  • Narrative Film The Moral Potentials of Narrative Film in Cultivating Moral Skills: About Elly (2009) as a Case of Cinematic Moral Pedagogy [Volume 5, Issue 17, 2025, Pages 7-23]
  • Neo Formalism The Influence of "Artistic" and "Parametric" Narratives from Bordwell’s Neoformalism Perspective in Cinematic Adaptations of Shakespeare’s Plays (Case Study: "Ophelia" by Claude Chabrol and "King Lear" by Jean-Luc Godard) [Volume 5, Issue 15, 2025, Pages 7-15]
  • Neo-Historicism A Neo-Historicist Study of the Representation of History and Power in the Works of Grigor Yeghikyan (Case Study: “Anushirvan the Just and Mazdak” and “The War of East and West”) [Volume 5, Issue 16, 2025, Pages 51-66]
  • Noë؛ ؛ ؛ ؛ l Carroll The Moral Potentials of Narrative Film in Cultivating Moral Skills: About Elly (2009) as a Case of Cinematic Moral Pedagogy [Volume 5, Issue 17, 2025, Pages 7-23]
O
  • Omid Ilchi The Comparative Study of Three Adaptations of Mem and Zin Based on Linda Hutcheon’s Theories (Case Study: Man, Khani, and Ilchi) [Volume 5, Issue 15, 2025, Pages 45-56]
  • Ontological The Relation of Salvation in Art and the Danger of Technology from Heidegger’s Philosophical Perspective (Case Study: Steven Spielberg’s Duel) [Volume 5, Issue 18, 2025, Pages 91-102]
  • Oscar Man The Comparative Study of Three Adaptations of Mem and Zin Based on Linda Hutcheon’s Theories (Case Study: Man, Khani, and Ilchi) [Volume 5, Issue 15, 2025, Pages 45-56]
  • Ousmane Semben Ousmane Sembène’s Cinema: An Anti-colonial Perspective in the Film Mandabi [Volume 5, Issue 16, 2025, Pages 21-31]
P
  • Panopticon The Field of Vision as a Realm of Power; Representation of Police Surveillance Mechanisms in the Modern Metropolis (Case Study: The Devil’s Day (1994) and The Devil’s Hand (1981)) [Volume 5, Issue 15, 2025, Pages 17-30]
  • Parajanov The Place of Painting in Parajanov’s Cinema with an Emphasis on the Film “The Color of Pomegranate” [Volume 5, Issue 18, 2025, Pages 35-49]
  • Philosophy of Art Farabi’s Philosophy of Art and the Possibility of Evaluating Cinematic Works Based on Rational-Moral Perfection [Volume 5, Issue 17, 2025, Pages 51-62]
  • Police Surveillance The Field of Vision as a Realm of Power; Representation of Police Surveillance Mechanisms in the Modern Metropolis (Case Study: The Devil’s Day (1994) and The Devil’s Hand (1981)) [Volume 5, Issue 15, 2025, Pages 17-30]
  • Pop Art The Subjective Aesthetics of Experimental Animation in the Transition from Modernism to Pop Art, Based on the Theoretical Views of John Dewey [Volume 5, Issue 17, 2025, Pages 37-50]
  • Possible Worlds Theory An Ever-Unrealizable Hamlet (A Comparative Study of Textual Worlds in the Plays Hamlet and Hamletmachine Based on Cognitive Poetics) [Volume 5, Issue 16, 2025, Pages 33-50]
  • Post-dramatic Theater An Analysis of the Relationship Between the Aesthetic Politics of Jacques Rancière and Post-dramatic Theatre [Volume 5, Issue 17, 2025, Pages 63-74]
  • Post‑Structuralism The Role of Socio-Cultural Conditions in Writing Short Screenplays in 2010s Iran [Volume 5, Issue 18, 2025, Pages 63-74]
  • Pre-interpretation Ekphrasis in Iranian Postmodern Cinema with an Eco-Semiotic Approach (Case Study: Farhadi’s Film “The Salesman”) [Volume 5, Issue 15, 2025, Pages 31-43]
  • Propaganda model A Comparative Study of Adorno’s Culture Industry and Herman–Chomsky’s Propaganda Model in the Content Critique of the Film “Watching This Film Is a Crime” [Volume 5, Issue 16, 2025, Pages 7-19]
R
  • Redistribution of the Sensible An Analysis of the Relationship Between the Aesthetic Politics of Jacques Rancière and Post-dramatic Theatre [Volume 5, Issue 17, 2025, Pages 63-74]
  • Representation Nostalgic Myth – Making in the Representation of Iranian Traditions in the Film A Cub of sugar [Volume 5, Issue 18, 2025, Pages 75-89]
  • Richard Schechner Applying Improvisation in the Performance of Azerbaijani Ashiqs Based on Richard Schechner’s Performance Theory [Volume 5, Issue 18, 2025, Pages 21-34]
  • Rira's Tales A Comparative Study of Music as a Narrative Tool in Musical Animations (Case Study: “Rira's Tales” and “Esme and Roy”) [Volume 5, Issue 16, 2025, Pages 67-91]
  • Ritual A Comparative Analysis of Sacrifice, Violence, and Myth in the Cinema of Yorgos Lanthimos from the Perspective of Georges Bataille [Volume 5, Issue 17, 2025, Pages 25-35]
S
  • Saving Private Ryan The Representation of the Hero in Iranian and Western War Cinema: A Case Study of Characterization in The Situation of Mehdi and Saving Private Ryan [Volume 5, Issue 17, 2025, Pages 75-86]
  • Semiotics Nostalgic Myth – Making in the Representation of Iranian Traditions in the Film A Cub of sugar [Volume 5, Issue 18, 2025, Pages 75-89]
  • Shakespeare The Influence of "Artistic" and "Parametric" Narratives from Bordwell’s Neoformalism Perspective in Cinematic Adaptations of Shakespeare’s Plays (Case Study: "Ophelia" by Claude Chabrol and "King Lear" by Jean-Luc Godard) [Volume 5, Issue 15, 2025, Pages 7-15]
  • Sheeple An Analysis of the Concept of Basic Anxiety in the Film "Sheeple" Based on Karen Horney's Theories [Volume 5, Issue 15, 2025, Pages 57-66]
  • Short Screenplay The Role of Socio-Cultural Conditions in Writing Short Screenplays in 2010s Iran [Volume 5, Issue 18, 2025, Pages 63-74]
  • Society and Culture The Role of Socio-Cultural Conditions in Writing Short Screenplays in 2010s Iran [Volume 5, Issue 18, 2025, Pages 63-74]
  • Source Domain The Representation of the Conceptual Metaphor ‘Life as a Journey’ in Kiarostami’s Films (Case Study: “Where Is the Friend’s House?” “Life, and Nothing More,” and “Through the Olive Trees”) [Volume 5, Issue 16, 2025, Pages 93-104]
  • Spielberg The Relation of Salvation in Art and the Danger of Technology from Heidegger’s Philosophical Perspective (Case Study: Steven Spielberg’s Duel) [Volume 5, Issue 18, 2025, Pages 91-102]
  • Structuralism The Role of Socio-Cultural Conditions in Writing Short Screenplays in 2010s Iran [Volume 5, Issue 18, 2025, Pages 63-74]
  • Subjectivity The Subjective Aesthetics of Experimental Animation in the Transition from Modernism to Pop Art, Based on the Theoretical Views of John Dewey [Volume 5, Issue 17, 2025, Pages 37-50]
T
  • Target Domain The Representation of the Conceptual Metaphor ‘Life as a Journey’ in Kiarostami’s Films (Case Study: “Where Is the Friend’s House?” “Life, and Nothing More,” and “Through the Olive Trees”) [Volume 5, Issue 16, 2025, Pages 93-104]
  • The Devil’s Day The Field of Vision as a Realm of Power; Representation of Police Surveillance Mechanisms in the Modern Metropolis (Case Study: The Devil’s Day (1994) and The Devil’s Hand (1981)) [Volume 5, Issue 15, 2025, Pages 17-30]
  • The Devil’s Hand The Field of Vision as a Realm of Power; Representation of Police Surveillance Mechanisms in the Modern Metropolis (Case Study: The Devil’s Day (1994) and The Devil’s Hand (1981)) [Volume 5, Issue 15, 2025, Pages 17-30]
  • The Salesman Ekphrasis in Iranian Postmodern Cinema with an Eco-Semiotic Approach (Case Study: Farhadi’s Film “The Salesman”) [Volume 5, Issue 15, 2025, Pages 31-43]
  • The Situation of Mehdi The Representation of the Hero in Iranian and Western War Cinema: A Case Study of Characterization in The Situation of Mehdi and Saving Private Ryan [Volume 5, Issue 17, 2025, Pages 75-86]
  • Tragedy of Miriam An Archetypal Analysis of Female Images in Elizabeth Cary’s “The Tragedy of Mariam” Based on the Theories of Lesley Ferris [Volume 5, Issue 18, 2025, Pages 51-62]
U
  • Ultimate Perfection Farabi’s Philosophy of Art and the Possibility of Evaluating Cinematic Works Based on Rational-Moral Perfection [Volume 5, Issue 17, 2025, Pages 51-62]
V
  • Violence A Comparative Analysis of Sacrifice, Violence, and Myth in the Cinema of Yorgos Lanthimos from the Perspective of Georges Bataille [Volume 5, Issue 17, 2025, Pages 25-35]
W
  • War Cinema The Representation of the Hero in Iranian and Western War Cinema: A Case Study of Characterization in The Situation of Mehdi and Saving Private Ryan [Volume 5, Issue 17, 2025, Pages 75-86]
  • Watching this film is a crime A Comparative Study of Adorno’s Culture Industry and Herman–Chomsky’s Propaganda Model in the Content Critique of the Film “Watching This Film Is a Crime” [Volume 5, Issue 16, 2025, Pages 7-19]
  • William Shakespeare An Ever-Unrealizable Hamlet (A Comparative Study of Textual Worlds in the Plays Hamlet and Hamletmachine Based on Cognitive Poetics) [Volume 5, Issue 16, 2025, Pages 33-50]
Y
  • Yorgos Lanthimos A Comparative Analysis of Sacrifice, Violence, and Myth in the Cinema of Yorgos Lanthimos from the Perspective of Georges Bataille [Volume 5, Issue 17, 2025, Pages 25-35]