Abdolkarimi, Bojan The Relation of Salvation in Art and the Danger of Technology from Heidegger’s Philosophical Perspective (Case Study: Steven Spielberg’s Duel) [Volume 5, Issue 18, 2026, Pages 91-102]
Aboutorabian, Golbarg Farabi’s Philosophy of Art and the Possibility of Evaluating Cinematic Works Based on Rational-Moral Perfection [Volume 5, Issue 17, 2025, Pages 51-62]
Aghajamali, Behzad A Neo-Historicist Study of the Representation of History and Power in the Works of Grigor Yeghikyan (Case Study: “Anushirvan the Just and Mazdak” and “The War of East and West”) [Volume 5, Issue 16, 2025, Pages 51-66]
Amir Arjmandi, Nazanin The Representation of the Conceptual Metaphor ‘Life as a Journey’ in Kiarostami’s Films (Case Study: “Where Is the Friend’s House?” “Life, and Nothing More,” and “Through the Olive Trees”) [Volume 5, Issue 16, 2025, Pages 93-104]
Anoosha, Hadi An Analysis of the Relationship Between the Aesthetic Politics of Jacques Rancière and Post-dramatic Theatre [Volume 5, Issue 17, 2025, Pages 63-74]
Ansari, Maryam The Moral Potentials of Narrative Film in Cultivating Moral Skills: About Elly (2009) as a Case of Cinematic Moral Pedagogy [Volume 5, Issue 17, 2025, Pages 7-23]
Aref, Mohammad Applying Improvisation in the Performance of Azerbaijani Ashiqs Based on Richard Schechner’s Performance Theory [Volume 5, Issue 18, 2026, Pages 21-34]
Askari, Fatemeh An Archetypal Analysis of Female Images in Elizabeth Cary’s “The Tragedy of Mariam” Based on the Theories of Lesley Ferris [Volume 5, Issue 18, 2026, Pages 51-62]
Azimifard, Fatemeh The Representation of the Conceptual Metaphor ‘Life as a Journey’ in Kiarostami’s Films (Case Study: “Where Is the Friend’s House?” “Life, and Nothing More,” and “Through the Olive Trees”) [Volume 5, Issue 16, 2025, Pages 93-104]
Azizi, Alireza The Function of Hybrid Genres in Crisis Cinema (A Critical Study of Three Selected Iranian Films During the COVID-19 Era, 2020–2023) [Volume 5, Issue 15, 2025, Pages 67-78]
B
Brinkman, Eric The Comparative Study of Three Adaptations of Mem and Zin Based on Linda Hutcheon’s Theories (Case Study: Man, Khani, and Ilchi) [Volume 5, Issue 15, 2025, Pages 45-56]
D
Dargahi, Pardis A Comparative Study of Music as a Narrative Tool in Musical Animations (Case Study: “Rira's Tales” and “Esme and Roy”) [Volume 5, Issue 16, 2025, Pages 67-91]
Dastguerd, Esmaeil The Relation of Salvation in Art and the Danger of Technology from Heidegger’s Philosophical Perspective (Case Study: Steven Spielberg’s Duel) [Volume 5, Issue 18, 2026, Pages 91-102]
Davodi Roknabadi, Abolfazl Applying Improvisation in the Performance of Azerbaijani Ashiqs Based on Richard Schechner’s Performance Theory [Volume 5, Issue 18, 2026, Pages 21-34]
Dehghani, Farshad A Comparative Study of Adorno’s Culture Industry and Herman–Chomsky’s Propaganda Model in the Content Critique of the Film “Watching This Film Is a Crime” [Volume 5, Issue 16, 2025, Pages 7-19]
Doregiraei, Nastaran The Field of Vision as a Realm of Power; Representation of Police Surveillance Mechanisms in the Modern Metropolis (Case Study: The Devil’s Day (1994) and The Devil’s Hand (1981)) [Volume 5, Issue 15, 2025, Pages 17-30]
E
Emaminiya, Alireza The Representation of the Hero in Iranian and Western War Cinema: A Case Study of Characterization in The Situation of Mehdi and Saving Private Ryan [Volume 5, Issue 17, 2025, Pages 75-86]
F
Fathollahi, Hosein A Neo-Historicist Study of the Representation of History and Power in the Works of Grigor Yeghikyan (Case Study: “Anushirvan the Just and Mazdak” and “The War of East and West”) [Volume 5, Issue 16, 2025, Pages 51-66]
G
Ghadyani, Mahdi Ekphrasis in Iranian Postmodern Cinema with an Eco-Semiotic Approach (Case Study: Farhadi’s Film “The Salesman”) [Volume 5, Issue 15, 2025, Pages 31-43]
H
Hemmati, Ehsan Farabi’s Philosophy of Art and the Possibility of Evaluating Cinematic Works Based on Rational-Moral Perfection [Volume 5, Issue 17, 2025, Pages 51-62]
J
Jalalipour, Bahram An Ever-Unrealizable Hamlet (A Comparative Study of Textual Worlds in the Plays Hamlet and Hamletmachine Based on Cognitive Poetics) [Volume 5, Issue 16, 2025, Pages 33-50]
K
Karami, Mohsen The Moral Potentials of Narrative Film in Cultivating Moral Skills: About Elly (2009) as a Case of Cinematic Moral Pedagogy [Volume 5, Issue 17, 2025, Pages 7-23]
KarkukiOsguei, Nastaran Nostalgic Myth – Making in the Representation of Iranian Traditions in the Film A Cub of sugar [Volume 5, Issue 18, 2026, Pages 75-89]
Khany, Minoo Ekphrasis in Iranian Postmodern Cinema with an Eco-Semiotic Approach (Case Study: Farhadi’s Film “The Salesman”) [Volume 5, Issue 15, 2025, Pages 31-43]
Koopal, Ataollah Ousmane Sembène’s Cinema: An Anti-colonial Perspective in the Film Mandabi [Volume 5, Issue 16, 2025, Pages 21-31]
L
Laleh, Abdolhossein The Place of Painting in Parajanov’s Cinema with an Emphasis on the Film “The Color of Pomegranate” [Volume 5, Issue 18, 2026, Pages 35-49]
Lavasani, Saeed The Relation of Salvation in Art and the Danger of Technology from Heidegger’s Philosophical Perspective (Case Study: Steven Spielberg’s Duel) [Volume 5, Issue 18, 2026, Pages 91-102]
M
Malekian, Nazanin Nostalgic Myth – Making in the Representation of Iranian Traditions in the Film A Cub of sugar [Volume 5, Issue 18, 2026, Pages 75-89]
Marasy, Mohsen A Comparative Study of Adorno’s Culture Industry and Herman–Chomsky’s Propaganda Model in the Content Critique of the Film “Watching This Film Is a Crime” [Volume 5, Issue 16, 2025, Pages 7-19]
Moayerifar, Farshid The Subjective Aesthetics of Experimental Animation in the Transition from Modernism to Pop Art, Based on the Theoretical Views of John Dewey [Volume 5, Issue 17, 2025, Pages 37-50]
Motamedy, Ahmadreza The Relation of Salvation in Art and the Danger of Technology from Heidegger’s Philosophical Perspective (Case Study: Steven Spielberg’s Duel) [Volume 5, Issue 18, 2026, Pages 91-102]
N
Najar, Esmaeil The Comparative Study of Three Adaptations of Mem and Zin Based on Linda Hutcheon’s Theories (Case Study: Man, Khani, and Ilchi) [Volume 5, Issue 15, 2025, Pages 45-56]
Najar, Esmaeil An Archetypal Analysis of Female Images in Elizabeth Cary’s “The Tragedy of Mariam” Based on the Theories of Lesley Ferris [Volume 5, Issue 18, 2026, Pages 51-62]
Nemati Anaraki, Davoud Nostalgic Myth – Making in the Representation of Iranian Traditions in the Film A Cub of sugar [Volume 5, Issue 18, 2026, Pages 75-89]
Nezafat, Fereshteh Ousmane Sembène’s Cinema: An Anti-colonial Perspective in the Film Mandabi [Volume 5, Issue 16, 2025, Pages 21-31]
Nouri, Farid The Comparative Study of Three Adaptations of Mem and Zin Based on Linda Hutcheon’s Theories (Case Study: Man, Khani, and Ilchi) [Volume 5, Issue 15, 2025, Pages 45-56]
P
Parvin Gonabadi, bahram An Examination of the Impact of Plot on the Success of Mehrjui’s Adapted Screenplays (Case Studies: Leila and Maman’s Guest) [Volume 5, Issue 18, 2026, Pages 7-19]
Pourjabali, Robabeh Nostalgic Myth – Making in the Representation of Iranian Traditions in the Film A Cub of sugar [Volume 5, Issue 18, 2026, Pages 75-89]
R
Rahimian-Aki, Hormoz An Examination of the Impact of Plot on the Success of Mehrjui’s Adapted Screenplays (Case Studies: Leila and Maman’s Guest) [Volume 5, Issue 18, 2026, Pages 7-19]
Razizadeh, Ali The Representation of the Hero in Iranian and Western War Cinema: A Case Study of Characterization in The Situation of Mehdi and Saving Private Ryan [Volume 5, Issue 17, 2025, Pages 75-86]
S
Safavizadeh sohi, Zohreh The Representation of the Conceptual Metaphor ‘Life as a Journey’ in Kiarostami’s Films (Case Study: “Where Is the Friend’s House?” “Life, and Nothing More,” and “Through the Olive Trees”) [Volume 5, Issue 16, 2025, Pages 93-104]
Sarbakhsh, Reza A Comparative Study of Music as a Narrative Tool in Musical Animations (Case Study: “Rira's Tales” and “Esme and Roy”) [Volume 5, Issue 16, 2025, Pages 67-91]
Sayyad, Alireza The Field of Vision as a Realm of Power; Representation of Police Surveillance Mechanisms in the Modern Metropolis (Case Study: The Devil’s Day (1994) and The Devil’s Hand (1981)) [Volume 5, Issue 15, 2025, Pages 17-30]
SHADANLOU, MARYAM The Place of Painting in Parajanov’s Cinema with an Emphasis on the Film “The Color of Pomegranate” [Volume 5, Issue 18, 2026, Pages 35-49]
ShahbaniNoori, MohammadReza The Role of Socio-Cultural Conditions in Writing Short Screenplays in 2010s Iran [Volume 5, Issue 18, 2026, Pages 63-74]
Shahbazi Gharloghi, Ramtin The Subjective Aesthetics of Experimental Animation in the Transition from Modernism to Pop Art, Based on the Theoretical Views of John Dewey [Volume 5, Issue 17, 2025, Pages 37-50]
Shokri, Mohammd Ekphrasis in Iranian Postmodern Cinema with an Eco-Semiotic Approach (Case Study: Farhadi’s Film “The Salesman”) [Volume 5, Issue 15, 2025, Pages 31-43]
T
Taghipour Kelidsar, khadijeh The Representation of the Conceptual Metaphor ‘Life as a Journey’ in Kiarostami’s Films (Case Study: “Where Is the Friend’s House?” “Life, and Nothing More,” and “Through the Olive Trees”) [Volume 5, Issue 16, 2025, Pages 93-104]
V
Valipour Gharehghiyeh, Hadi Applying Improvisation in the Performance of Azerbaijani Ashiqs Based on Richard Schechner’s Performance Theory [Volume 5, Issue 18, 2026, Pages 21-34]
W
Wellman, Elizabeth An Archetypal Analysis of Female Images in Elizabeth Cary’s “The Tragedy of Mariam” Based on the Theories of Lesley Ferris [Volume 5, Issue 18, 2026, Pages 51-62]
Y
Yazdi, Narges An Analysis of the Relationship Between the Aesthetic Politics of Jacques Rancière and Post-dramatic Theatre [Volume 5, Issue 17, 2025, Pages 63-74]
Z
Zaryabi, Hassan A Comparative Study of Music as a Narrative Tool in Musical Animations (Case Study: “Rira's Tales” and “Esme and Roy”) [Volume 5, Issue 16, 2025, Pages 67-91]
