Aَghai, Seyyed Nasser Genealogical Interpretation of the Ritual Origin of the Art of Performance
(With emphasis on similarity of performance and dance components with sammacheh) [Volume 2, Issue 6, 2023, Pages 21-36]
Ahmadi, Parisa The representation of death in the play "The Man Who Turned into a Stick" by Kubo Abe is based on the philosophy of the Kyoto school [Volume 2, Issue 5, 2022, Pages 65-80]
Ajourloo, Ehsan The role of memory in the construction of history and the formation of society in the historical drama of the first Pahlavi era based on the views of Paul Ricoeur [Volume 2, Issue 3, 2022, Pages 33-45]
Amirian Doost, Shahrokh Genealogical Interpretation of the Ritual Origin of the Art of Performance
(With emphasis on similarity of performance and dance components with sammacheh) [Volume 2, Issue 6, 2023, Pages 21-36]
Amir Shah Karami, Najmedin Structural Components of Two-Dimensional Experimental Animation in The Mad, Mad, Mad World (1974) Nour Eddin Zarrin-Kelk [Volume 2, Issue 5, 2022, Pages 37-49]
Asgarikia, Farshad A study of the representation of religious minorities in Iranian cinema after the Islamic Revolution based on the views of Stuart Hall [Volume 2, Issue 4, 2022, Pages 49-58]
B
Beytuie, Sara The Redistribution of The Sensible in Jean Genet’s Artworks Based on Jacques Rancière’s Theory - Case Study: “The Blacks” [Volume 2, Issue 6, 2023, Pages 75-87]
E
Esfandiari, Shahab Ta’ziyeh techniques, a way to De-Westernizing in the Films of Abbas Kiarostami [Volume 2, Issue 3, 2022, Pages 19-32]
G
Ghasempour, Akram The representation of death in the play "The Man Who Turned into a Stick" by Kubo Abe is based on the philosophy of the Kyoto school [Volume 2, Issue 5, 2022, Pages 65-80]
H
Hajhashemi, Samira Structural Components of Two-Dimensional Experimental Animation in The Mad, Mad, Mad World (1974) Nour Eddin Zarrin-Kelk [Volume 2, Issue 5, 2022, Pages 37-49]
Haji Mollaali, Ali Theatre, Permitted Transgression: Investigating theater as a liberating and consolidating rite in society based on Victor Turner's views [Volume 2, Issue 6, 2023, Pages 65-74]
Hashemi, Mohammad The Redistribution of The Sensible in Jean Genet’s Artworks Based on Jacques Rancière’s Theory - Case Study: “The Blacks” [Volume 2, Issue 6, 2023, Pages 75-87]
Hoanaee, Mohammad reza The role of new cinema in the legitimacy of Humanism [Volume 2, Issue 3, 2022, Pages 7-17]
Hoseini, Masoume Sadat Study on Narrative Structure of Contemporary Myth in Marvel Heroes, Focusing on Avenger Series [Volume 2, Issue 4, 2022, Pages 71-81]
Hosseini, Seyyed Emad Ta’ziyeh techniques, a way to De-Westernizing in the Films of Abbas Kiarostami [Volume 2, Issue 3, 2022, Pages 19-32]
J
Jalalipour, Bahram The Narrative Structure of Attar's Manteghotteir and some Considerations on its Dramatic Adaptation [Volume 2, Issue 4, 2022, Pages 23-36]
K
Khani Tari, Shayesteh Rereading the history of painting through the cinema of Roy Anderson [Volume 2, Issue 6, 2023, Pages 53-64]
Khosraviyani, Mahdiyeh A comparative study of the themes and Contents of the holy books in the adaptations of cinematic animation
Case Study: The Prince of Egypt and Elephant King Animation [Volume 2, Issue 3, 2022, Pages 47-64]
M
Mahmoodi, Baharak Representation of "Food" In Iranian Cinema [Volume 2, Issue 3, 2022, Pages 65-79]
Mashhadi Rahman, Amir A Study of Cognitive Theories in Audience Perceptions of Imagination Based on the Opinions of David Bordwell and Gregory Curry [Volume 2, Issue 3, 2022, Pages 81-96]
Massoudi, Shiva The contribution of artists to the establishment of Private Theatre in Iran with a focus on The second Pahlavi period [Volume 2, Issue 6, 2023, Pages 37-51]
Moghadas, Arsalan Structural Components of Two-Dimensional Experimental Animation in The Mad, Mad, Mad World (1974) Nour Eddin Zarrin-Kelk [Volume 2, Issue 5, 2022, Pages 37-49]
Moinaddini, Mohammad Rereading the history of painting through the cinema of Roy Anderson [Volume 2, Issue 6, 2023, Pages 53-64]
Motamedi, Ahmadreza Purification and Assimilation analysis of the dramatic situations of Georges Polti in the stories of the Qur'an (examination: the situations of Pursuit, Ambition, Enigma and Rivalry of kin) [Volume 2, Issue 5, 2022, Pages 7-24]
Mousavi Sameh, Mohadeseh Sadat A study of the representation of religious minorities in Iranian cinema after the Islamic Revolution based on the views of Stuart Hall [Volume 2, Issue 4, 2022, Pages 49-58]
N
Naghashzadeh, Masoud Long take as the aesthetic essence of cinematic realism, With a case study of the film The Death of Mr. Lazarescu [Volume 2, Issue 6, 2023, Pages 7-20]
Najmroshan, Pariya The Function of Digital Makeup in Contemporary Cinema [Volume 2, Issue 5, 2022, Pages 81-96]
Nazer, Erfan Phenomenology of the concept of presence and absence in the play Verb by Mohammad Rezaei Rad [Volume 2, Issue 3, 2022, Pages 97-108]
Nedaei, Amir Hassan Study on Narrative Structure of Contemporary Myth in Marvel Heroes, Focusing on Avenger Series [Volume 2, Issue 4, 2022, Pages 71-81]
P
Piravi Vanak, Marzieh Ta’ziyeh techniques, a way to De-Westernizing in the Films of Abbas Kiarostami [Volume 2, Issue 3, 2022, Pages 19-32]
R
Rohani, Seyed Ali Representation of death in the cinema of the sixties and nineties in Iran, based on the theory of Norbert Elias [Volume 2, Issue 5, 2022, Pages 25-36]
S
Safoora, Mohammad Ali A comparative study of the themes and Contents of the holy books in the adaptations of cinematic animation
Case Study: The Prince of Egypt and Elephant King Animation [Volume 2, Issue 3, 2022, Pages 47-64]
Sarbakhsh, Reza Purification and Assimilation analysis of the dramatic situations of Georges Polti in the stories of the Qur'an (examination: the situations of Pursuit, Ambition, Enigma and Rivalry of kin) [Volume 2, Issue 5, 2022, Pages 7-24]
Sayyad, Alireza The Attractions of the Modern Berlin Metropolis and the Emergence of the Weimar Street film genre: A Case Study of the Street (1923) [Volume 2, Issue 5, 2022, Pages 51-63]
Sepehran, Kamran The role of memory in the construction of history and the formation of society in the historical drama of the first Pahlavi era based on the views of Paul Ricoeur [Volume 2, Issue 3, 2022, Pages 33-45]
Shahbazi, Ramtin A Study of Cognitive Theories in Audience Perceptions of Imagination Based on the Opinions of David Bordwell and Gregory Curry [Volume 2, Issue 3, 2022, Pages 81-96]
Shayan, Sana Ta’ziyeh techniques, a way to De-Westernizing in the Films of Abbas Kiarostami [Volume 2, Issue 3, 2022, Pages 19-32]
T
Tarzi, Sahar Character analysis in the legends of Menmendas and Boussalame with the approach of using animation based on Lacan's views [Volume 2, Issue 4, 2022, Pages 37-48]
V
Valania, Sara Cinematic humor; Broadness of thought or expansion of mind [Volume 2, Issue 4, 2022, Pages 7-21]
Z
Zandi, Kiyarash Character analysis in the legends of Menmendas and Boussalame with the approach of using animation based on Lacan's views [Volume 2, Issue 4, 2022, Pages 37-48]
Zinalabedini, payam The Function of Digital Makeup in Contemporary Cinema [Volume 2, Issue 5, 2022, Pages 81-96]
