The story of Prophet Moses (PBUH) in the Quran, characterized by its rich themes and intricate visual and narrative structure, offers significant potential for cinematic and television adaptations. Successfully adapting this story requires a thorough understanding of its narrative features alongside the capabilities of film media, particularly in the realm of editing. This study aims to identify, extract, and propose structural editing patterns within the Quranic narrative of Prophet Moses (PBUH). Initially, the article reviews common montage patterns employed in cinema and television, followed by a qualitative thematic analysis of the Quranic text. Drawing on the dramatic structure of the narrative and the specific attributes of visual media, various editing patterns are suggested for different segments of the story to effectively convey its diverse narrative and thematic dimensions. The findings reveal that the Quranic storytelling approach in the story of Moses transcends a purely linear and continuous format, incorporating non-linear editing techniques such as jump cuts, parallel editing, and intellectual or dialectical montage. This approach regards the narrative not merely as a means of storytelling or entertainment but as a medium for reflection and intellectual elevation. In other words, the montage structures embedded in Quranic stories serve as a foundation for expanding and deepening meaning. However, the ultimate selection and adaptation of these montage patterns to raw production materials rest with the director. This research offers valuable insights and practical guidance for filmmakers seeking to adapt Quranic narratives into visual media.