Rahpooye Honar/Performing Arts

Rahpooye Honar/Performing Arts

Current Issue: Volume 5, Issue 18, Winter 2026, Pages 1-130 

Nostalgic Myth – Making in the Representation of Iranian Traditions in the Film A Cub of sugar

Pages 75-89

10.22034/rpa.2025.2069259.1181

Nastaran KarkukiOsguei, Nazanin Malekian, Davoud Nemati Anaraki, Robabeh Pourjabali

Keywords Cloud

  • Cinema
  • Iranian Cinema
  • Adaptation
  • Animation
  • Characterization
  • Representation
  • aesthetics
  • Death
  • popular culture
  • Tragedy
  • myth
  • comparative study
  • The Salesman
  • screenplay
  • Play
  • narrative
  • First Pahlavi
  • Michel Foucault
  • society
  • Language
  • Gender
  • Byung-Chul Han
  • Child
  • Heidegger
  • Improvisation
  • Subjectivity
  • Pierre Bourdieu
  • cinematic narrative
  • technology
  • Absence
  • Identity
  • Globalization
  • Semiotics
  • Kiarostami
  • Walter Benjamin
  • Neo Formalism
  • deconstruction
  • Architecture
  • Memory
  • audience
  • Drama
  • discourse of power
  • Capitalism
  • Theatre
  • Iran
  • Dramaturgy
  • About Elly
  • Cinematic adaptation
  • Imagination
  • Structuralism
  • Islamic Revolution
  • Pragmatics
  • Anxiety
  • Dialogue
  • Palestine
  • Aristotle
  • the other
  • Action
  • Subculture
  • National identity
  • Postcolonialism
  • religious texts
  • Violence
  • unconscious
  • Simulation
  • music
  • War Cinema
  • Hyperreality
  • Tolerance
  • comparative literature
  • being
  • Class
  • Morphology
  • loneliness
  • conceptual metaphor
  • food
  • social factors
  • ideology
  • environment
  • episteme
  • Culture
  • Embodiment
  • reality
  • Nihilism
  • Temporality
  • Fantasy
  • epic
  • God
  • Sense of place
  • thematic analysis
  • neurosis
  • place
  • Lakoff and Johnson
  • mosque
  • L’envers du décor
  • Stereotyping
  • the Oedipus Rex
  • Roland Barthes
  • Iranian drama
  • hybridization
  • Historical Series
  • Movie
  • Cultural identity
  • parody
  • formalism
  • Critical Analysis
  • Audience Research
  • Framing
  • Derrida
  • Cultural Consumption
  • Representation of women
  • Phenomenology
  • Attar
  • Vladimir Propp
  • Surveillance
  • Naturalization
  • Symbolic Capital
  • nothingness
  • Azerbaijan
  • Stuart Hall
  • Philosophy of Art
  • September 11
  • distance
  • Actantial Model
  • Patriarchy
  • Daily Life
  • presence
  • meaning
  • Afghanistan
  • history
  • peace
  • City
  • Antagonist
  • Satire
  • Digital
  • sacrifice
  • plot
  • Mysticism
  • Critical Discourse Analysis
  • Rituals
  • Greece
  • \"
  • Foucault
  • Disruption
  • Re
  • Quran
  • Diaspora
  • Social Ties
  • Grand theory
  • Levinas
  • Gérard Genette
  • Questioning
  • Humanism
  • archaism
  • Jacques Lacan
  • COVID-19
  • Antigone
  • Jean Baudrillard
  • Talent
  • Ritual
  • Future
  • Cosmopolitanism
  • Intellectual
  • Keywords: Identity
  • localization
  • Photography
  • allegory
  • proportion
  • Pop Art
  • transtextuality
  • holy defense
  • theater
  • Lacan
  • psychosis
  • Cognitive
  • comparative studies
  • Consensus
  • Interpretive Phenomenology
  • Shahnameh
  • story
  • Ta\'
  • Humor
  • Functions
  • Gilles Deleuze
  • gaze
  • Assimilation
  • A Separation
  • world citizen
  • Genet’s narratology
  • Florian Zeller
  • Highlighting
  • street theater
  • Theater Sociology
  • Jean Duvignand
  • Purification
  • Henry Giroux
  • border education
  • Hassan Nayyerzadeh Noori
  • Neoliberalism
  • Mass Culture

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