Rahpooye Honar/Performing Arts

Rahpooye Honar/Performing Arts

Rahpooye Honar/Performing Arts

Journal Archive

Most Visited Articles
Genealogical Interpretation of the Ritual Origin of the Art of Performance (With emphasis on similarity of performance and dance components with sammacheh)
The Function of Hybrid Genres in Crisis Cinema (A Critical Study of Three Selected Iranian Films During the COVID-19 Era, 2020–2023)
An Analysis of the Relationship Between the Aesthetic Politics of Jacques Rancière and Post-dramatic Theatre
Ekphrasis in Iranian Postmodern Cinema with an Eco-Semiotic Approach (Case Study: Farhadi’s Film “The Salesman”)
Analysis of the character of Oedipus in the play Oedipus the Prince based on the views of Vladimir Prop
A Critical Approach to the Aesthetic and Functional Theories of Genre in Cinema
The role of new cinema in the legitimacy of Humanism
Current Issue: Volume 5, Issue 18, Winter 2026, Pages 1-130 

Nostalgic Myth – Making in the Representation of Iranian Traditions in the Film A Cub of sugar

Pages 75-89

10.22034/rpa.2025.2069259.1181

Nastaran KarkukiOsguei, Nazanin Malekian, Davoud Nemati Anaraki, Robabeh Pourjabali

Keywords Cloud

  • Cinema
  • Adaptation
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  • Animation
  • Characterization
  • Death
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  • Tragedy
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  • comparative study
  • screenplay
  • The Salesman
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  • Michel Foucault
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  • Alain Badiou
  • history
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  • Mysticism
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  • Rituals
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  • story
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  • Gilles Deleuze
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  • A Separation
  • Assimilation
  • world citizen
  • Genet’s narratology
  • Florian Zeller
  • Purification
  • street theater
  • Theater Sociology
  • Jean Duvignand
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  • Henry Giroux
  • border education
  • Hassan Nayyerzadeh Noori
  • Neoliberalism
  • The Indians (1978)
  • The Possessed by Images
  • The Prosthetic Memories
  • The Dialectics of Productiveness and Deathliness
  • Intelligence

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