Rahpooye Honar/Performing Arts

Rahpooye Honar/Performing Arts

Rahpooye Honar/Performing Arts

Journal Archive

Most Visited Articles
Genealogical Interpretation of the Ritual Origin of the Art of Performance (With emphasis on similarity of performance and dance components with sammacheh)
An Analysis of the Relationship Between the Aesthetic Politics of Jacques Rancière and Post-dramatic Theatre
The Function of Hybrid Genres in Crisis Cinema (A Critical Study of Three Selected Iranian Films During the COVID-19 Era, 2020–2023)
Ekphrasis in Iranian Postmodern Cinema with an Eco-Semiotic Approach (Case Study: Farhadi’s Film “The Salesman”)
Analysis of the character of Oedipus in the play Oedipus the Prince based on the views of Vladimir Prop
A Critical Approach to the Aesthetic and Functional Theories of Genre in Cinema
The role of new cinema in the legitimacy of Humanism
Current Issue: Volume 6, Issue 19, Spring 2026, Pages 1-128 

Keywords Cloud

  • Cinema
  • Adaptation
  • Iranian Cinema
  • Representation
  • Characterization
  • Animation
  • aesthetics
  • Tragedy
  • popular culture
  • Death
  • The Salesman
  • comparative study
  • myth
  • narrative
  • screenplay
  • First Pahlavi
  • Play
  • Byung-Chul Han
  • Asghar Farhadi
  • A Separation
  • Architecture
  • Semiotics
  • Capitalism
  • Pierre Bourdieu
  • Identity
  • technology
  • Child
  • discourse of power
  • Memory
  • Globalization
  • About Elly
  • Improvisation
  • Walter Benjamin
  • Kiarostami
  • Michel Foucault
  • deconstruction
  • audience
  • society
  • Language
  • Theatre
  • Absence
  • Drama
  • Gender
  • Heidegger
  • Cinematic adaptation
  • Iran
  • Dramaturgy
  • cinematic narrative
  • Neo Formalism
  • Subjectivity
  • Imagination
  • Structuralism
  • Islamic Revolution
  • Symbolic Capital
  • Action
  • Pragmatics
  • Anxiety
  • nothingness
  • National identity
  • Postcolonialism
  • religious texts
  • Genre
  • Palestine
  • Aristotle
  • Violence
  • Dialogue
  • Framing
  • music
  • Simulation
  • War Cinema
  • Tolerance
  • comparative literature
  • Movie
  • hybridization
  • being
  • Morphology
  • Stereotyping
  • food
  • social factors
  • ideology
  • environment
  • mosque
  • episteme
  • place
  • Sense of place
  • thematic analysis
  • Nihilism
  • Fantasy
  • reality
  • Culture
  • Gilles Deleuze
  • Lakoff and Johnson
  • world citizen
  • conceptual metaphor
  • street theater
  • loneliness
  • Roland Barthes
  • Class
  • The Indians (1978)
  • Historical Series
  • epic
  • Hyperreality
  • God
  • Lacan
  • parody
  • Audience Research
  • Cultural identity
  • unconscious
  • Cultural Consumption
  • Representation of women
  • formalism
  • Derrida
  • Vladimir Propp
  • the other
  • Critical Analysis
  • Attar
  • Phenomenology
  • Subculture
  • Stuart Hall
  • Philosophy of Art
  • Surveillance
  • distance
  • Actantial Model
  • Patriarchy
  • Daily Life
  • Alain Badiou
  • Azerbaijan
  • Ritual
  • September 11
  • Afghanistan
  • history
  • peace
  • meaning
  • City
  • Satire
  • Antagonist
  • Questioning
  • plot
  • Mysticism
  • sacrifice
  • Critical Discourse Analysis
  • Greece
  • Diaspora
  • Rituals
  • \"
  • Foucault
  • Social Ties
  • Grand theory
  • Levinas
  • Gérard Genette
  • Re
  • Digital
  • Quran
  • Jacques Lacan
  • COVID-19
  • Antigone
  • Jean Baudrillard
  • presence
  • Humanism
  • Future
  • Cosmopolitanism
  • Naturalization
  • Disruption
  • archaism
  • Photography
  • Gilbert Durand
  • Intellectual
  • Talent
  • Pop Art
  • transtextuality
  • allegory
  • theater
  • Keywords: Identity
  • psychosis
  • proportion
  • Temporality
  • localization
  • holy defense
  • comparative studies
  • Ta\'
  • Humor
  • neurosis
  • Cognitive
  • gaze
  • Shahnameh
  • story
  • Functions
  • Genet’s narratology
  • Florian Zeller
  • L’envers du décor
  • Consensus
  • Theater Sociology
  • Jean Duvignand
  • the Oedipus Rex
  • Henry Giroux
  • border education
  • Hassan Nayyerzadeh Noori
  • Iranian drama
  • Assimilation
  • Purification

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