Rahpooye Honar/Performing Arts

Rahpooye Honar/Performing Arts

Rahpooye Honar/Performing Arts

Journal Archive

Most Visited Articles
Genealogical Interpretation of the Ritual Origin of the Art of Performance (With emphasis on similarity of performance and dance components with sammacheh)
An Analysis of the Relationship Between the Aesthetic Politics of Jacques Rancière and Post-dramatic Theatre
The Function of Hybrid Genres in Crisis Cinema (A Critical Study of Three Selected Iranian Films During the COVID-19 Era, 2020–2023)
Ekphrasis in Iranian Postmodern Cinema with an Eco-Semiotic Approach (Case Study: Farhadi’s Film “The Salesman”)
Analysis of the character of Oedipus in the play Oedipus the Prince based on the views of Vladimir Prop
A Critical Approach to the Aesthetic and Functional Theories of Genre in Cinema
The role of new cinema in the legitimacy of Humanism
Current Issue: Volume 6, Issue 20, Summer 2026, Pages 1-118 

Keywords Cloud

  • Cinema
  • Iranian Cinema
  • Adaptation
  • Characterization
  • Representation
  • Animation
  • Death
  • popular culture
  • Tragedy
  • aesthetics
  • screenplay
  • Play
  • narrative
  • comparative study
  • First Pahlavi
  • myth
  • Semiotics
  • The Salesman
  • Improvisation
  • Lacan
  • Child
  • Byung-Chul Han
  • Absence
  • Gender
  • Architecture
  • Neo Formalism
  • discourse of power
  • Michel Foucault
  • Drama
  • Pierre Bourdieu
  • audience
  • About Elly
  • Theatre
  • technology
  • Walter Benjamin
  • Subjectivity
  • Cinematic adaptation
  • Kiarostami
  • Language
  • Capitalism
  • Globalization
  • Iran
  • Asghar Farhadi
  • deconstruction
  • Ali Hatami
  • Heidegger
  • short film
  • Dramaturgy
  • Roy Andersson
  • Bordwell
  • Reciprocal Perception
  • Noë؛ ؛ ؛ ؛ l Carroll
  • mosque
  • V-effect
  • Mem and Zin
  • Intellectual
  • philosophy of Kyoto school
  • Antagonist
  • Mother Film
  • Sacred Defense Cinema
  • the distribution of the sensible
  • Hybrid Genre
  • Child Character
  • Experimental Animation
  • Texture
  • Mohammad Taqi Ja’fari
  • National identity
  • Iranian Screenplay
  • New Wave
  • Qur\'
  • Lie
  • The Dialectics of Productiveness and Deathliness
  • ideology
  • Target Domain
  • theater
  • Double Colonialism
  • Levinas
  • Patrimonialism
  • Possible Worlds Theory
  • Iranian dramatic literature
  • Noureddin Zarrin-Kelk
  • City
  • The Prince of Egypt
  • Abbas Kiarostami
  • Grand theory
  • Source Domain
  • Cinematic Animation
  • Mythos Theory
  • meaning
  • Richard Schechner
  • Simulation
  • history
  • Mother (film)
  • Theater Poster
  • The Brocken world
  • : violence
  • Elizabeth Cary
  • Grigor Yeghikian
  • Pragmatics
  • Alain Badiou
  • The film Seven
  • fourth wave
  • A Ladder to Pick Oranges
  • The Matrix
  • Crisis of Narration
  • Iranian Postmodern Cinema
  • Hotel of the Two Worlds
  • Men-mendas
  • Currie
  • Residents of Nowhere
  • Gayatri Chakravorty Spivak
  • Eco\'s Semiotics
  • A Separation
  • neurosis
  • Crisis Narrative
  • Gilles Deleuze
  • collapsed time fluid time
  • The Suppliants
  • Elephant King Animation
  • The Second Pahlavi Period
  • Talent screen
  • Stasis
  • Othering
  • Rezaei Rad
  • Theater Sociology
  • Visual Effects
  • Myths and Legends of southern Iran
  • Subsidized Theatre
  • epic
  • ritual-mythological rhythmic movements
  • Female Archetypes
  • Death in Autumn\"
  • Anti-Colonial Cinema
  • Motion Capture
  • Genre
  • Redistribution of the Sensible
  • John Dewey
  • Mythanalyse
  • Long Take
  • John Fisk
  • Norbert Elias
  • Tanabe Hajime
  • Justice-seeking Action
  • Performer-Audience Interaction
  • sacrifice
  • Gholamhossein Sa’edi
  • liminal position
  • being
  • Drown
  • Panopticon
  • Attar
  • Classic realist text
  • Crisis of meaning
  • Patriarchal Authority
  • Stuart Hall
  • Siegfried Kracauer
  • Intelligence
  • Sites of Memory
  • Future
  • place
  • Iranian Melodrama Cinema
  • .\"
  • popular theater
  • 2010s Decade (1390s)
  • Post-dramatic Theater
  • Story of prophet Moses (PBUH)
  • Third Space
  • conceptual metaphor
  • Northrop Frye
  • Poetics
  • Gilbert Durand
  • Iranian drama
  • Dramatic literature
  • Depth of Field
  • Achievement society
  • Quran
  • \"
  • Dramatic situation
  • Death of Yazdgerd
  • Absurdism
  • Dariush Mehrjui
  • Ranciè
  • simulacrum
  • Hero Representation
  • Tolerance
  • Brecht
  • hybridization
  • Mandabi
  • Esme & Roy
  • Philosophy of Art
  • Film Evaluation
  • FARABI
  • The Devil’s Hand
  • Myth-Critical Analysis
  • Film Critique
  • an
  • time crystal
  • Liminality
  • First Case
  • Derrida

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