Rahpooye Honar/Performing Arts

Rahpooye Honar/Performing Arts

Rahpooye Honar/Performing Arts

Journal Archive

Most Visited Articles
Genealogical Interpretation of the Ritual Origin of the Art of Performance (With emphasis on similarity of performance and dance components with sammacheh)
An Analysis of the Relationship Between the Aesthetic Politics of Jacques Rancière and Post-dramatic Theatre
The Function of Hybrid Genres in Crisis Cinema (A Critical Study of Three Selected Iranian Films During the COVID-19 Era, 2020–2023)
Ekphrasis in Iranian Postmodern Cinema with an Eco-Semiotic Approach (Case Study: Farhadi’s Film “The Salesman”)
Analysis of the character of Oedipus in the play Oedipus the Prince based on the views of Vladimir Prop
A Critical Approach to the Aesthetic and Functional Theories of Genre in Cinema
The role of new cinema in the legitimacy of Humanism
Current Issue: Volume 6, Issue 20, Summer 2026, Pages 1-118 

Keywords Cloud

  • Cinema
  • Iranian Cinema
  • Adaptation
  • Representation
  • Animation
  • Characterization
  • popular culture
  • Tragedy
  • aesthetics
  • Death
  • screenplay
  • Play
  • comparative study
  • narrative
  • myth
  • The Salesman
  • First Pahlavi
  • Language
  • Dramaturgy
  • Asghar Farhadi
  • Architecture
  • deconstruction
  • Heidegger
  • Theatre
  • Improvisation
  • audience
  • Semiotics
  • Lacan
  • discourse of power
  • Byung-Chul Han
  • Subjectivity
  • Cinematic adaptation
  • technology
  • Capitalism
  • Michel Foucault
  • Walter Benjamin
  • Kiarostami
  • Child
  • Neo Formalism
  • Gender
  • Drama
  • Iran
  • About Elly
  • Pierre Bourdieu
  • Globalization
  • Absence
  • Sleep in an empty cup
  • Surveillance
  • story world
  • Bordwell
  • Noë؛ ؛ ؛ ؛ l Carroll
  • Reciprocal Perception
  • The Seven Deadly Sins
  • philosophy of Kyoto school
  • Antagonist
  • Sacred Defense Cinema
  • Mother Film
  • the distribution of the sensible
  • Henri Lefebvre
  • Hybrid Genre
  • Ta\'
  • God
  • neurosis
  • mosque
  • V-effect
  • Experimental Animation
  • Mem and Zin
  • Intellectual
  • National identity
  • Mohammad Taqi Ja’fari
  • ideology
  • Lie
  • The Dialectics of Productiveness and Deathliness
  • Double Colonialism
  • Qur\'
  • Patrimonialism
  • Possible Worlds Theory
  • Target Domain
  • : violence
  • New Wave
  • Iranian dramatic literature
  • Richard Schechner
  • City
  • Mythos Theory
  • meaning
  • Abbas Kiarostami
  • Dariush Mehrjui
  • Simulation
  • history
  • theater
  • The Brocken world
  • Elizabeth Cary
  • Grigor Yeghikian
  • Pragmatics
  • Alain Badiou
  • First Case
  • fourth wave
  • A Ladder to Pick Oranges
  • Crisis of Narration
  • The Prince of Egypt
  • Iranian Postmodern Cinema
  • Men-mendas
  • Currie
  • Residents of Nowhere
  • Grand theory
  • Eco\'s Semiotics
  • The film Seven
  • Source Domain
  • Gilles Deleuze
  • collapsed time fluid time
  • Crisis Narrative
  • Elephant King Animation
  • The Suppliants
  • The Second Pahlavi Period
  • Talent screen
  • Stasis
  • Othering
  • Rezaei Rad
  • Theater Sociology
  • Visual Effects
  • mystical meaningfulness
  • Film-Farsi
  • objet petit a
  • Structuralism
  • The Curious Case of Benjamin Button
  • Akbar Radi
  • Cinematic Animation
  • The Matrix
  • Gayatri Chakravorty Spivak
  • Hotel of the Two Worlds
  • A Separation
  • epic
  • Myths and Legends of southern Iran
  • Subsidized Theatre
  • Levinas
  • John Dewey
  • ritual-mythological rhythmic movements
  • Death in Autumn\"
  • Female Archetypes
  • Anti-Colonial Cinema
  • Mythanalyse
  • Motion Capture
  • Genre
  • Patriarchal Authority
  • Long Take
  • Stuart Hall
  • Crisis of meaning
  • Norbert Elias
  • John Fisk
  • Siegfried Kracauer
  • Intelligence
  • Sites of Memory
  • Future
  • place
  • Iranian Melodrama Cinema
  • .\"
  • 2010s Decade (1390s)
  • popular theater
  • Post-dramatic Theater
  • Story of prophet Moses (PBUH)
  • Classic realist text
  • conceptual metaphor
  • Northrop Frye
  • Tanabe Hajime
  • sacrifice
  • Iranian drama
  • Dramatic literature
  • Depth of Field
  • Achievement society
  • Quran
  • Dramatic situation
  • \"
  • Death of Yazdgerd
  • Absurdism
  • Gholamhossein Sa’edi
  • liminal position
  • Justice-seeking Action
  • Noureddin Zarrin-Kelk
  • Performer-Audience Interaction
  • Brecht
  • hybridization
  • Mandabi
  • Redistribution of the Sensible
  • Esme & Roy
  • Philosophy of Art
  • FARABI
  • The Devil’s Hand
  • Myth-Critical Analysis
  • an
  • Film Critique
  • being
  • Liminality
  • Drown
  • Yorgos Lanthimos
  • society
  • African Cinema
  • Foucault’s Genealogy
  • adaptation. Child and adolescent play
  • Satire
  • Attar

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